eat in my kitchen

To cook, to bake, to eat and to treat.

Meet In Your Kitchen | Chez Boulan’s Oysters at Stunning Cap Ferret

Cap Ferret is a dream in pastel blue and pink. The beach seems endless, the sky sinking silently into the waves that hit the shore like a rock, angry thunderous foam vanishing meekly on the golden sand. It’s a place you never want to leave again, just walk forever, barefoot and happy, and the sun in your face.

I came to this headland touching the Atlantic in the Aquitaine region in France to eat oysters. It was a simple mission, I expected good, pure and honest tasting oysters, fresh like a sip of the sea, but I wasn’t prepared for so much beauty! In the summer months, the seaside villages turn into a crazy beehive, we skipped that and were welcomed by tranquil bliss. Two landscapes dominate the cap, the open sea and vast beaches on the west, and the lagoon on the east, the Bassin d’Arcachon changing its face constantly due to the tides. This is the lap where mother nature lets the best oysters in the world grow slowly over 4 to 5 years, nurtured and rinsed by clear French waters.

Alison and her husband Alex run Damien Boulan’s wonderful Chez Boulan restaurant. It’s a bit like a beach hut, built out of wood, the wind blowing the salty air through the open kitchen, the garden looks almost tropical. There’s a wooden pier above the fading water that seems like the perfect place to sit and enjoy a plate full of fleshy oysters and a glass of white wine – if only I could sit there every day. Damian took over the family business from his father, he’s passionate when it comes to oysters and spends most of his time taking care of them at the banks. They are like babies, you have to look after them. It’s a lot of work that the whole cap seems to be dedicated to, with deep love for their work and the sea.

When Alison told me to pick oysters from the baskets at the entrance of the restaurant for my lunch, I felt like a kid in a candy store. Various shapes and colors, small and large shells, and they all smelled and looked so beautiful. I had an oyster tasting, which I highly recommend to get a feeling for the fine differences – there are no rules, you just follow your taste. The same counts for serving, some prefer this treat from the sea pure or with a squeeze of tangy lemon, or with sour mignonette, French shallot vinaigrette, just a few drops are enough. Alison added a new inspiration to the palate, freshly chopped mint leaves. Whatever you go for, just make sure that the oysters come straight from the sea, freshly cracked open in front of your eyes, like at Chez Boulan.

If you plan a trip to Cap Ferret, stay at the stunning La Maison du Bassin hotel. Each room looks like an old captain’s cabin, the wood is dark and the view is breathtaking. And don’t forget to book a table for dinner, the food and wine are divine. You might order too much wine and champagne from their fantastic menu, but don’t worry, the hearty breakfast with eggs and croissant will make up for it.

In the next months, I’ll share many Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!

 

Cap Ferret Oysters à la Chez Boulan

Serves 1

For the mignonette

60ml / ¼ cup red wine vinegar
1 teaspoon shallot, very finely chopped
Ground black pepper

6-12 fresh French oysters (preferably from Cap Ferret)
1 lemon
A few fresh mint leaves, finely chopped

For the mignonette, in a small bowl, mix together the vinegar and shallot and season to taste with a little pepper.

Arrange the oysters on a large plate and enjoy them pure, with a squeeze of lemon, a pinch of mint, or a drizzle of the mignonette – and a glass of chilled white wine!

 

How long has Damian Boulan been in charge of the family business?

For 10 years. He grew up here but after university, he went to Paris to be a journalist. He and his father used to speak about the idea to create a degustation – like this garden. This is the garden where we welcome our guests, but it used to be the garden of the Boulan family.

So, the family lives here?

Yes, the mother still lives on the other side of the cabin. They used to talk about the idea to create something like this. Unfortunately, Damian’s father died and Damian was told to come back to take over the business, to work with oysters, and to continue the family history. When he was told about this project of his father, he created it.

But first he didn’t want to become an oyster farmer?

No, but when you see him working with the oysters, you can see this is a real passion now. It’s his history.

Where are the oysters?

Most of our oysters are behind the Mimbeau – the Mimbeau is the sandbank that you can see – and they are just behind there. You cannot imagine it but behind there are a lot of banks and most of our oysters are there.

Is there a season for oysters? 

We have a saying in France, that you eat oysters during the months with an “R”. So, September, October, November, and so on. The idea that it’s “bad” to eat them in the summertime is because this is the period of the “milk”. That’s why. But you can eat oysters all year long.

What is the milk?

The milk is the way for the oysters to reproduce. During that period, you can see a bag of milk , but not like milk that you can drink. We call it milk because it’s creamy.

(Oysters are protandric and spawn in summer, they look swollen and milky. During their first year, they spawn as males by releasing sperm into the water. As they grow over the next two to three years, they spawn as females by releasing eggs.)

Someone told me that some people specifically like them during this time of the year.

Yes, yes. In summer, we tell people if the oysters are milky or not, because they are very surprised when they realise that this is the period, although it’s totally normal.

How do environmental changes affect the oysters?

I’m not a specialist but as we work very closely with the production, we know that the oysters need more time to grow because of climate change. They used to need 3 years to grow, but now it’s 3 to 4 years. It depends.

Because the water is warmer?

Yes, because of the water, and there is less food for the oysters.

Do you have a kitchen hack that you can share with us?

There are two ways to open an oyster. You have to choose the one you like, but the idea is to keep the oyster “safe” and whole. We (at Chez Boulan) open it from the base of the oyster. We put the knife in here just like this and then, we lift the knife up, and then we cut. The idea is that when you have the second part of the oyster, there is nothing on the second part.

Thank you, Alison!

 

 

 

 

 

 

 

 

 

 

 

 

Meet In Your Kitchen | Paris and the Mystery of Chez Allard

Chez Allard

In 1932, Madame Marthe Allard decided to open a restaurant in Paris, Chez Allard. It is the beginning of a story deeply woven into traditional French country cuisine, a story of resolute women who love to cook, who master French classics to perfection, and passionately share their creations on Rue Saint-André des Arts, in the heart of the lively St German-des-Prés, until today. You could call Chez Allard a gourmet bistro, cozily elegant, the flaming red benches and wooden chairs in front of floral wallpaper filled with happy guests for more than 80 years. The interior barely changed, and so did the dishes on the menu, there’s still a strong focus on many of Madame Allard’s original family recipes from Burgundy, passed from one woman to the next.

As soon as her son’s wife, Fernande, joined the family, the chef didn’t hesitate to introduce the young woman to all her kitchen secrets, and so the next generation was secured. Marthe Allard stayed in the small kitchen on Rue Saint-André des Arts all her life, for more than half a century, tweaking and refining her famous rustic staples, like Challans Duck with Olives or Sole Meunière.

After decades of female power at the cooker, there was finally a man in charge for 20 years, but when Alain Ducasse took over the restaurant, he knew he’d pass the reign to a woman again. Chez Allard has a female spirit, a female soul, Chez Allard is a woman. Since 2015, Fanny Herpin has been responsible for keeping the restaurant’s tradition alive, the recipes that became “old culinary friends” to so many guests. The young and celebrated executive chef manages to incorporate this history and at the same time giving it validity 80 years after the first pages of Allard were written. Fanny is calm, quiet, but she’s a woman you shouldn’t underestimate. Her instructions are short and precise, she’s charismatic. When you open the ornate glass door to the restaurant, you stand right in front of Chez Allard‘s heart, the kitchen. The room is open and there isn’t much space to move, this kitchen has to work smoothly and there’s no doubt that Fanny accomplishes this task with grandeur.

Fanny Herpin is from Bordeaux, like Alain Ducasse, they even learned at the same culinary school. Both of them feel the same strong connection to their home region’s famous cuisine and products and have many of them freshly brought to the restaurant every day, like the fois gras on Allard‘s menu. When Fanny talks about food, or when she peels carrots with the precision of a scientist, you can feel her love, her passion, her obsession with quality. When she discovered the wonders of cooking and baking, she was hooked. Alan Ducasse was always her idol, she studied his recipes, she dove deeply into the magic that he’s been creating for decades. So when he called her to ask if she’d like to fill the position at Chez Allard, she was just 26, she remembers, “It was a big day, I didn’t believe it was possible. I asked are you sure, me?” She says that she’s still a little bit nervous when he comes and visits her at the restaurant. There’s a humble heart inside this strong, inspiring woman.

The dish that she cooked together with us felt like a bite of Paris, her Petits Rougets Barbets au Beurre Blanc (red mullet with a buttery, vinegary shallot sauce and sautéed root vegetables) was as pretty and perfect as the city that it was made in.

In the next months, I’ll share many Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!

Chez Allard

Petits Rougets au Beurre Blanc

(Red Mullet with Beurre Blanc and Glazed Roots)

By Chef Fanny Herpin – Chez Allard

Serves 4

For the Beurre Blanc

80g / 3 ounces shallots, finely chopped
150ml / 2/3 cup aged wine vinegar
50ml / ¼ cup dry white wine
3g mignonnette pepper (coarsely ground pepper)
400g / 14 ounces cold Echiré butter, cut into small pieces
Juice of ½ lemon

For the vegetables

4 navet turnips
4 large carrots
1 yellow turnip
¼ celeriac
1 green radish
4 red radishes
4 baby leeks
50ml / ¼ cup olive oil
Fleur de sel
Freshly ground pepper
1 garlic clove, with skin
1 sprig of thyme
500ml / 2 cups and 1 tablespoon chicken broth
30g / 2 tablespoons butter

For the fish

4 red mullet fillets, about 250g / 9 ounces each
Fleur de sel
Freshly ground pepper
Olive oil

For the Beurre Blanc, in a medium saucepan, bring the shallots, vinegar, wine, and mignonette pepper to a boil over medium heat. Reduce the sauce gently and gradually add the butter, stirring and whisking constantly to combine the sauce and the butter. If you add too much butter at once, the sauce won’t bind. Adjust the seasoning and add a dash of lemon juice; set aside (at room temperature).

For the vegetables, peel the turnips, carrots, celeriac, and green radish. Cut the celeriac into diamond shapes, the green radish and turnips into “half moons”. Scrape and rinse the red radishes.

Bring a medium pot of salted water to the boil. Rinse the leeks and blanch until soft. Transfer to a bowl filled with ice water, immerse quickly, and lay on paper towels. Cut the leeks into strips.

In a large heavy pan, heat the olive oil over medium heat and sauté the vegetables separately for about 1-2 minutes. Transfer all the vegetables to the pan and season with salt and pepper. Add the garlic, thyme, and broth, cover the pan, and cook until soft. Before serving, add the butter, stir to glaze the vegetables, and season with salt and pepper to taste.

For the fish, season the mullet fillets with salt and pepper on the meat side. Heat a splash of olive oil in a large heavy pan over medium-high heat and sear the fillets, skin side down, for 4 minutes or until the fish is done, the skin should be lightly crispy. Flip the mullets over, then transfer to a grid and set aside.

Arrange the mullet fillets, slightly overlapping each other, on one side of the plate, the vegetables on the other side, and a spoonful of the Beurre Blanc in the middle. Serve immediately.

Chez Allard

 

Chez Allard

Can you tell us a little bit about what you do and who you are?

My name is Fanny and I’m from Bordeaux. I’m 27 and I’m Head Chef at Allard, a restaurant from Alain Ducasse.

In which part of France did you grow up? Where did you spend your childhood?

In Bordeaux, in the southwest of France. I studied there and afterwards, I left to Paris.

Did the cuisine of Bordeaux influence you a lot?

Yes, yes, yes, of course! The food in Bordeaux is very important for me. There is the foie gras and the duck. My mother was always cooking at home with my family, so I have a big influence from there which is always there when I cook, both at home or in the restaurant.

Do you get products from Bordeaux for Chez Allard?

Yes, the foie gras, for example. I was at the same school as Alain Ducasse in Talence. We attended the same culinary school. So, I know that the products are also important for him.

How old were you when you started your career?

I started at 22.

Did you always know that you wanted to become a chef?

Yes, yes, because I like to eat! Since always! At home, I was always cooking but more sweets, like cakes and everything. I did culinary training when I was 22 – just one week! – and I was sure.

And that was the moment that you decided no more sweets, but cooking, more savoury cooking?

Yes, exactly.

Do you still do sweets sometimes?

Sometimes, but just at home. Because it’s very different: pastry and cooking. It’s two different jobs.

Why did you want to become a chef? Was it just because you loved to eat so much or did you meet other chefs that inspired you?

Yes! Alain Ducasse, of course! When I was at school and I was starting to learn, I read a book about Alain Ducasse – the big book with all the recipes – and I knew that he has a lot of restaurants in the world: the bistro and the 3 star Michelin restaurant. So, I asked to do a culinary training in his restaurant. I did it and after that I was sure that I wanted to become a chef. I really like to manage people. It’s like a family that works together. It’s a lot of work but it’s my passion. I love to do it! I want to do it for the rest of my life.

When you started, did you ever dream that one day you would be here? That you would be the chef at Allard?

Of course I did, but I was thinking maybe after I’m 30. But I became the chef here at 26. It was really fast!

How did you feel when he called you and asked you to become the Head Chef?

(Laughing) It was a big day! I didn’t believe it was possible. I was working in London and he asked me to come here to take the position. I said, “Are you sure? Me?” He said, “Yes, come!” So, I came here one weekend, I saw Alain Ducasse, and we talked about the position here and… let’s go! One month later, I was here and I started work. I have a lot of support because it’s a big company. I am not alone. I’m the head chef for this restaurant but I have other head chefs above me so I am never alone. I always have someone to help me, to support me, if I want it. For that, it’s super!

Does Alain Ducasse come here often to see if everything is going  well?

Yes, of course. He comes sometimes to spend time with friends, but he comes for work, too.

Does it make you nervous when he’s here?

A little bit, of course, but that’s normal. I’m always impressed by him when he’s here but it’s always a good moment.

Chez Allard has a very strong line of female chefs. It was founded by Madame Allard who passed the recipes on to her daughter-in-law who took over from her. There was a female chef before you and now you’re here. Do you think that this restaurant has a female spirit or a female soul? Is Allard a woman?

Yes, it’s tradition! Marthe Allard started to cook here. After her, it was Fernande. When Alain Ducasse took over the restaurant, he said, “I want to keep this tradition because it’s strong.” Laetitia Rouabah, the chef before me, worked here for three years before they asked me to take this position. It’s very important to keep the tradition. When people come here they say, “there have been female chefs here for a long time.” It’s very strong identity. For me, it’s also very important to keep that spirit.

Is there a difference between men and women running a restaurant in the kitchen? Does it feel different?

I don’t think so. It’s not about men and women. It’s just about the person and their personality. We’re all different.

There are a lot of traditional recipes on the menu that Madame Allard invented or came up with – so how much of Alain Ducasse is in the recipes here at Allard?

We keep and use all the recipes, but Alain Ducasse brings less sugar, less salt, and less fat to the recipes. That, for Alain, for all his restaurants, is the way to think and to work now.

How often do you change the menu? 

I keep a menu throughout the year, but some dishes I change according to the season. For example, we have just started to introduce root vegetables and pigeon to the menu. In the summer, it was tomato salads and raw fish. We change the menu every two or three months, depending on the season.

Do you have a favourite season?

It’s now! (late summer) Yes. The pigeons, and all the different birds – it’s a very exciting time.

Do you love Paris?

Yes, of course (laughing)! I really like this city because there are a lot of different restaurants: bistros, Michelin restaurants, and also there are a lot of small restaurants with different food and cultures. So that’s interesting for me. And it’s a beautiful city. You can walk everywhere – it’s beautiful.

Do you go to restaurants a lot?

Yes, sometimes. I try to go once a week.

Can you go out and eat at a restaurant and just relax and enjoy it? Or do you analyse the food?

No, I’m always thinking but it’s less than before (laughing). Before, I was too hard!

What does healthy food mean for you?

Healthy food, for me, is when you use good products, produced in a way that respects the environment, and when it’s good for you, for the body, for your health. Voila!

What is your greatest kitchen hack?

Yes, actually I have something very important for me. It’s when you cook meat, you must let it rest. If you cook the meat for 10 minutes, then you let it rest for 10 minutes. This way, the meat is soft.

If you could choose one person to cook a meal for you, who and what  would it be? Alain Ducasse?

(Laughing) No. It would Laurent Garnier because I’m a BIG fan. Maybe a dessert, like a chocolate cake, something easy and good.

If you’re going to have 10 friends over for a spontaneous dinner, and you don’t have much time to plan or go shopping, what will be on the table?

Foie gras toast! (Laughing) It’s easy!

Do you prefer to cook on your own or together with others when you’re at home?

Alone, I think, because I can do what I want. When there are a lot of people in the kitchen, it’s like my job here. I do that every day. I always have to check everything and to be everywhere. So, sometimes I really like to cook alone, just me in the kitchen, to relax, and to take the time to cook.

Do you prefer improvised or planned cooking? Again, at home in your own kitchen.

Planned. Always.

So even when you cook at home you always know exactly how you’re going to do it?

Of course! I always know what I want to do – I have everything in my head. Sometimes, at home, if I’m missing an ingredient, it’s ok. I can remove it. Here at the restaurant, it’s not possible, but at home, I can change it.

But there’s always a plan?

Yes. Always. I’ve always worked like that!

Thank you very much, Fanny!

Chez Allard

 

Chez Allard

 

Chez Allard

 

Chez Allard

 

Chez Allard

Meet In Your Kitchen | Cécile Molinié’s Life and Cooking in Paris

Cécile Monilié

You only need to walk along the Boulevard Saint-Germain on a sunny afternoon to understand Paris. You’ll promise yourself that you’ll come back – for the rest of your life. Once you’ve seen this city, a piece of you will stay there forever. Just walk and gaze up at the facades of the elegant sandstone buildings of the 19th century Haussmann era, dotted with white wooden shutters. Or sit in a café, get comfy on a colorful French wicker chair at a marbled bistro table, a glass of crisp white wine in front of you, order a Galette, crêpe, or escargot, and look at the chic people around you scurrying on the cobblestones. The trottoir is a stage in Paris, and the bistro is the place to watch it from.

We could have just stayed in Paris, visited renowned restaurants and celebrated chefs in their praised kitchens and we would have never had to leave this inspiring city, but when we decided to include France in our culinary trips around the world together with Zwilling, I had to think of the whole picture that the country paints. France, to me, is the trinity of Paris, the countryside, and the sea. It’s the capital’s seductive charm, its haute cuisine, food temples that attract gourmets from all over the world to enjoy the pleasures of French tradition, to create the best food with the most refined techniques and ingredients. It’s a city that rouses and satisfies your appetite, you’ll never get enough of it.

Then there’s the countryside and its more rural cooking, frugal, hearty, and meaty, all those wonderful delicacies coming from the soil and the woods, and also the home of French wine. And which region would be better to learn about the country’s famous wines and winemakers than the picturesque Médoc. There are so many fantastic French reds and whites and there’s a compelling mystique about the vineyards covering the slopes around the city of Bordeaux.

To make the trilogy complete, we have to look at the sea. All those oysters and clams, fresh fish and lobster, these treats that are often served raw or so pure that you can still taste their salty freshness. It’s always better to go to the fruits from the sea than letting them come to you, so we packed our bags and went to Cap Ferret. It’s a long peninsula stretching into the rough and cold Bay of Biscay, where the beaches are long and lonely, the people are kind and welcoming, and you can eat the best oysters of your life straight from the banks, all day long.

So we started our trip in Paris and Cécile Molinié’s kitchen was the first place we visited for a new series of Meet In Your Kitchen features in France.

Cécile Monilié

Four children and a cat called Cookie are enviably lucky to call Cécile Molinié their maman. Her Paris kitchen is the cozy heart of the big family’s beautiful home close to the Jardin du Luxembourg, in the capital’s vivid Quartier Latin. The room is bigger than normal city kitchens and opens onto a spacious, green terrace. It’s filled with lots of light, life, and laughter, while delicious food spread out on the large island and table is a tempting invitation to come together and indulge in maman‘s creations. It’s a family kitchen where the six Parisians, Cécile, her husband, and their kids, meet to share their day, to cook together, and turn their daily meals into little feasts.

Cécile is an excellent cook, her grandmothers passed their passion on to her and this heritage found fruitful ground in the young woman, she’s been fascinated by the excitements of the culinary world since she was a little girl. At the age of 16, Cécile already prepared the meals for dinner parties of 20 guests at her parents’ home. The house was always open to friends, her mother loved to entertain, but didn’t feel inspired by the kitchen herself. So Cécile gladly took over those duties and became more and more skilled as a cook, she refined her taste and became impressively precise through experience and practice. Tender Boeuf Bourguignon, Blanquette de Veau, or petite Madeleines are staples in her repertoire, she loves the famous French classics and curiously dives into the country’s different regional cuisines.

Cécile Monilié

Southern France inspired her to create a recipe for sea bass bedded on sugary-sweet roasted tomatoes. She finishes off the summery composition with lemon slices grilled in the oven until the edges are crisp and golden, it’s a colorful firework of flavors and textures. How could I disagree when she offered to cook this dish together with me in her kitchen? I’ve been waiting impatiently for the day to come to finally meet her, in the kitchen that I knew from her famous Instagram account where she shares visual bites from her life. The pictures are stunning, she’s just as talented behind the camera as she is at the cooker. You can feel her love for her city, so much so that you want to stroll along the Seine, the bistros and boulevards together with her. When she visits her second home just outside Paris and posts episodes from her country life, you seriously wish you could move in with the whole family.

So we finally met in Paris, but before we pulled the pots and pans out of the cupboards in her kitchen to cook, we went to the beautiful market on Rue Mouffetard in the 5ème arrondissement. The shops and stalls of the daily farmers’ market gathered on this street make you want to pack your bags and make Paris your home. We filled our shopping baskets with wonderfully milky Sainte-Maure de Touraine, ripe Saint-Nectaire from Auvergne, and the creamiest SaintMarcellin from Fromagerie Véron. The beauty of the presentation at the fishmonger took my breath away. Quality and freshness are unbeatable, wherever you look. Gills and eyes clear and shiny, crabs are still alive, bulots (sea snails) freshly cooked, and the oysters in the wooden baskets taste salty-cold like the sea. Cécile’s butcher is right next door, you can smell the golden poulet rôti rotating on metal skewers all along the cobblestone street, their hot juices dripping onto the potato wedges perfectly placed at the bottom of the grill. Packed with warm baguettes from the boulangerie under our arms, the baskets overflowing with all these delicacies, we went back to Cécile’s kitchen and started cooking.

In the next months, I’ll share many Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!

Cécile Monilié

Sea Bass with Candied Tomatoes and Roasted Artichokes and Potatoes

By Cécile Molinié

 Serves 4-6

For the sea bass

1kg / 2 ¼ pounds cherry tomatoes
Olive oil
Fine sea salt
Ground black pepper
2 organic lemons, very thinly sliced
2 large sea bass fillets
A few young sprigs fresh thyme

For the side dish

4-6 baby artichokes, trimmed
1 lemon
1kg / 2 ¼ pounds little potatoes (preferably a sweet variety), rinsed and scrubbed
Olive oil
Fine sea salt
Ground black pepper

Preheat the oven 170°C / 350°F.

Spread the cherry tomatoes in a large baking dish, add a splash of olive oil, salt, and pepper, mix, and roast for 1 hour or until soft and candied.

While the tomatoes are in the oven, spread the lemon slices in a large baking dish, drizzle with 1 tablespoon of olive oil, and bake them, with the tomatoes, for 30 minutes or until they soften.

For the side dish, bring a large pot of salted water to a boil, add the juice of 1 lemon and the artichokes, and cook for 15-20 minutes or until tender. Drain, rinse quickly with cold water, and set aside.

Cook the potatoes in a medium pot of salted water for about 15-20 minutes or until almost soft; drain and set aside.

Preheat the oven to 200°C / 400°F.

When the tomatoes are done, arrange the sea bass on top of them, season with salt and pepper, and cover with the roasted lemon slices. Roast for about 10-15 minutes or until the fish fillets are done, you should be able to flake the fish with a fork. Mind that you don’t overcook it. Sprinkle with the thyme.

While the fish is in the oven, heat a splash of olive oil in a large heavy pan and sauté the potatoes and artichokes over medium heat, stirring once in a while, for about 15 minutes or until golden and crispy. Season with salt and pepper to taste and serve immediately when the fish is done.

Cécile Monilié

What brought you to Paris? 

I came here because of university. My younger sister was admitted to a very good post-baccalaureate school, Henri IV, here in this neighbourhood. As I was the eldest one and I was good with managing a home and cooking, my mother wanted us to go together. So I was admitted to the prestigious law school here, and then…I never left!

Did you fall in love with the city immediately?

Paris? No, because I was the country girl, and there was all this noise….The year we arrived, there was a big strike during the winter and all the cars were stuck and it was a big mess…

So, you didn’t have an easy start?

No, but we could go back to the country every weekend. At the university, I didn’t know anyone – there were 1000 students! And I was the little girl from the country inside the big city…

Were you always interested in photography?

Yes, yes. I remember that when I was a child, I won a little camera because I did a drawing contest, and then when I was 16, my dad gave my sister and I a nice Canon camera – I remember! An old one, you know an analogique (analog).

How did you get into cooking? 

I love to cook. My mother is more an intellectual woman than a….

…a kitchen woman?

Yes! So, I had an interest in cooking – I don’t know why – and I took over the kitchen at a very young age. She let me do whatever I wanted so I tried new recipes, I made notebooks, and as my parents had lots of friends coming from all over the world – they were very welcoming – I used to cook a lot!

So you cooked for the family and for friends! For how many people?

I don’t know! But when I was 16, I could cook big meals and it was great because you have some meals where you need to be in the kitchen and do things at the last moment, so my mother was with the friends and I was cooking!

What’s your favourite dish cooked by your grandmother or one of your grandmothers?

My father’s mother used to make a very good blanquette de veau, a very good one. My mother’s mother, she’s from the southwest of France, so it’s more about zucchini, eggplants, and tomatoes, more Mediterranean – and she cooks very well, too. In my husband’s family, it’s not as we call in France plats en sauce, you know all these stews. It’s more about very good produce, cooked well.

Does your husband love to cook too?

He cooks rarely, but when he does it’s a very elaborate meal. We are great fans of Alain Passard, the chef of the Arpège. I used to be invited to his restaurant when I was a student by a friend. We go there for very special occasions, so my husband has his book and sometimes he cooks from this book. He cooks very creatively and elaborately, but not that often.

So, he’s more the weekend chef?

I would say, once a year!

So, once a year he’s the weekend chef but then he’s fantastic!

Yes, exactly! I think it’s what men do: amazing things, but not that often for food…

Where do you find your inspiration for your recipes?

At the market first because you see the food and you think “ah, I want to do that or this” and then cookbooks. I think I love cookbooks! I love to read them, I like to see the pictures, but I’m not good at following the recipes exactly.

But that’s not important! I think cookbooks are…

…a great inspiration. I still have one from when I was a very young woman and I still look at it, because the recipes are all good. Really, the inspiration comes from the market or from other people. At the market this morning, I spoke to a guy who was telling me what he was going to cook for his parents for lunch – you take ideas from everywhere! And some blogs too, but you need to have time to read them – sometimes it’s easier to have a book.

Do you prefer to cook when you’re here in Paris or in the countryside?

In the countryside, it’s usually the weekend so we have more time. And maybe you think I’m picky but I prefer to cook with gas rather than with induction.

What does healthy food mean for you?

Healthy means first of all cooked with good produce. I want my kids to have veggies and fruits every day. They are picky eaters, I must confess! I try to have them eat fresh fruit and veggies – it can be compote, it can be soups, it can be raw – healthy, for me, is when you have all the nutrients that you need in the food.And homemade, mostly homemade. I rarely buy frozen food. Some frozen pizzas just for when I have no other plan, but I prefer to cook eggs and potatoes instead.

What is your greatest kitchen hack?

When I bake cakes, I use the baking paper. In France, it’s not that automatic to do that.

So, you can’t live without baking paper?

No! And then I always have some veggies to roast. You know, I am very organized, so sometimes I start to cook in the morning – even at 7am, when the kids are just waking up. I always roast some cherry tomatoes, zucchini… And when it’s winter, pumpkin – that kind of thing. I always like to have something roasted.

So being organized in the kitchen is one of your greatest tips?

Yes, when you work and you have a lot of kids, who often come for lunch and dinner. And bread. I’m sorry, but we eat a lot of bread! I always have some bread! And butter! And cheese!

You’re going to have 10 friends for a spontaneous dinner, what will be on the table?

It’s going to be pasta – I’m sorry! – because we always have pasta and fresh Parmesan. We often have ham. In French we call that – you know the proscuittto crudo? The big ones that you can slice yourself – so I often have that. I could do pasta with fresh tomatoes and basil – I always have basil – so all good produce but very simple. And a good bottle of wine! That’s something that I would do if I had an impromptu meal with lots of people. Everybody is happy with that kind of food. And then fresh fruits or cooked fruit that’s easy to do.

If you could choose one person to cook a meal for you, who and what would it be?

I love Alain Passard’s food. So if he could come cook for me, a delicious vegetable dish, I would like it! I like light food.

If you could choose between improvised and planned dinners, what would you prefer?

I like to plan because I know I’m happy to plan something. It makes me happy to anticipate the people’s happiness. But sometimes, it’s stressful to plan something. You want to have a good result. I am a perfectionist, so sometimes when you plan ahead and you want people to be happy, I’m often disappointed by the result. When it’s impromptu, you don’t have much time to think about it and it’s more about the pleasure to be together. You know, I think as much as I like to plan a meal and to share it with friends, when I do something that’s not planned it is super good, too. So I don’t know what I prefer!

You like both! 

I prefer everybody to be happy around the table and laughing. If the food matters too much then sometimes you lose something in the pleasure of being together.

Do you prefer to cook on your own or together with others?

I like when my kids give me a hand, and I like to cook with friends, because it’s something to share, but I am faster by myself!

Thank you very much, Cécile!

Cécile Monilié

 

Cécile Monilié

 

Cécile Monilié

 

Cécile Monilié

 

Cécile Monilié

 

Cécile Monilié

 

Cécile Monilié

 

Cécile Monilié

 

Cécile Monilié

Meet In Your Kitchen | Roll your own Sushi at Kyoto’s Awomb

Awomb

Kyoto shares a kind of peace with its visitors that immediately takes control over body and mind. It answers all your questions and makes you speechless.

The city has two faces, the busy modern one of concrete, glass, metal, and noise, and then there’s the quiet side, when Japan’s old capital unfolds its true beauty. It’s not superficial, this beauty touched me deeply. You can see it, smell it, and taste it. Natural materials and clear lines create a compelling minimalist aesthetic dominated by dark wood and coal colored roofs shimmering silvery in the misty light. Silent stone gardens, temples, and shrines erase the noise in your head and fill it with serenity.

If this feeling could manifest itself in a restaurant, this would be the wonderful Awomb. The restaurant is in an elegant traditional house, hard to find in a narrow side alley in old Kyoto. You sit on the floor, on Tatami mats made of rice straw, in front of a low wooden table. The room is filled with natural light, golden warm as honey. The subtle sound of the floors creaking and birds hiding in the tall pine tree in front of the window break the gentle melodies of the traditional Koto music playing in the background. It sounds a bit like a harp, melodic yet hard, pure as single water drops.

The food created here is quite a new concept. Owner Ujita Hiroshi brings hand-rolled sushi, which is usually served at home, to the restaurant table to share with friends. A bowl of white rice, a teapot filled with steaming dashi broth, and a black lacquered tray full of little plates filled with stunning delicacies are the center piece of this culinary experience: you come to Awomb to roll your own sushi in one of the prettiest rooms that I’ve seen on my trip. The food itself, each little plate, looks like a piece of art. Seafood and vegetables can be mixed and combined according to your mood and refined with various seasonings, like fresh wasabi, grated ginger, plum sauce, salted vegetables, dried shrimp with mayonnaise, or tasty soy sauce jelly cubes. You can either add the ingredients to the rice bowl and eat it with chopsticks, or you can go for sushi in seaweed – rolled in your hands.

There’s no chance that I’ll ever have such a vast variety of ingredients to choose from in my own kitchen, but it’s so inspiring, I tried totally new combinations. I’ve learned that you shouldn’t be shy, just try not to use more than 4 to 5 main flavors and you’ll be rewarded with astonishing results. I got a bit excited and went overboard – the German girl came through – but my first “sushi in a bowl” made with pink grapefruit, salmon, fried sweet potato, square bean, gari (pickled ginger), and finely cut green matcha crepes tasted fantastic. Then I combined purple potato mash, octopus, and Ikura (salmon roe) and rolled it in seaweed, which turned into such a delicious beauty that I have to share this recipe with you.

The quality of each ingredient used at Awomb is outstanding, which isn’t a surprise, Ujita Hiroshi comes from a family that has been in the sushi business for decades. However, the young man didn’t want to follow his parents’ footsteps, he decided to start his own food adventure. His vision, to make hand-rolled sushi a delicious and fun experience for friends outside their homes, is a huge success. Long lines and waiting lists call for a well-planed reservation.

In the next months, I’ll share many Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!

Awomb

 

Awomb

Build Your Own Sushi:

Hand-rolled Sushi and Sushi in a Bowl inspired by Awomb

Serves 2

For the mashed purple potatoes

100g / 3.5 ounces boiled and peeled purple potato, cooled
1-2 tablespoons heavy cream
1 teaspoon butter
Fine sea salt
Coarsely ground black pepper
Freshly grated nutmeg

For the hand rolled sushi

Dried seaweed, cut into squares
Sushi rice (recipe below)
Octopus, boiled and cut into bite-sized slices
Ikura (salmon roe)

For the sushi in a bowl

Sushi rice (recipe below)
Pink grapefruit, peeled and cut into segments
Raw salmon, sushi grade, cut into bite size slices
Fried sweet potato
Boiled Edamame beans
Gari (pickled ginger)
Matcha crepe, very finely chopped
(if you make your own crêpes, mix 1 tablespoon of cooking grade matcha powder with 90g / 2/3 cup of plain flour)

Seasonings (optional)

Freshly grated wasabi
Freshly grated ginger
Plum sauce
Soy sauce

For the mashed purple potatoes, purée the potato, heavy cream, and butter in a blender or food processor until smooth and season to taste with salt, pepper, and nutmeg.

For the hand rolled sushi, place 1 tablespoon of sushi rice in the middle of a sheet of dried seaweed. Add 1 teaspoon of the mashed purple potatoes, a slice of octopus, and half a teaspoon of salmon roe. Roll like a cigar, add seasonings to taste, and enjoy.

For the sushi in a bowl, add about 2 tablespoons of sushi rice to a small bowl and stir in seasonings to taste (add just a little bit). Add 1 grapefruit segment, 2 slices of salmon, 1 crumbled slice of fried sweet potato, 2 Edamame beans, and a little pickled ginger. Sprinkle with 1 teaspoon of the chopped matcha crêpe and enjoy!

For the sushi rice

2 tablespoons rice vinegar
1 tablespoon mirin (rice wine similar to sake)
1 tablespoon sugar
½ teaspoon salt
180g / 1 cup short-grain sushi rice
240ml / 1 cup cold water

In a small bowl, heat the vinegar, mirin, sugar, and salt, over low heat, stirring until sugar and salt dissolve; let it cool.

Rinse the rice 4-5 times with cold water, then drain in a colander for 15 minutes.

In a medium saucepan, bring the rice and water to a boil. Reduce the heat to low, cover the pot, and simmer the rice for 15 minutes. Take the pot off the heat and let it rest for 15 minutes, don’t lift the lid. Transfer the rice to a large glass bowl.

Sprinkle the warm rice with the cold vinegar mixture and stir gently, you can fan the rice while mixing, that will help it to dry if it’s too sticky. Cover with a damp kitchen towel while you prepare the sushi. Sushi rice is best served at body temperature.

Awomb

 

Awomb

What inspired you to open a sushi restaurant? 

My parents ran a sushi restaurant that was very traditional but I wanted to do something different, something unique to me. I decided to focus on the idea of customers making their own sushi in an enjoyable way, and I started my own place.

Is that popular in Japan?

Hand rolled sushi (temakizushi) is popular now but it’s basically something that’s not eaten out. Everyone eats it with their families at home or at house parties. I thought that people would probably enjoy it if they could do something different and eat it at restaurants.

Which ingredients do you serve for the sushi creations?

Please let me tell you about aezushi, it’s sushi that you mix and prepare yourself. Firstly, we have vegetables and fish, we have sashimi – grilled conger eel – and turnip. There are vegetables from Kyoto that we often use, and this is yuba – a delicacy made from soybean milk. Further we have mackerel, which is served pickled in vinegar and Japanese scallop. Then we have shirae, a salad with white sesame, tofu, and white miso. We have aemono, which is vegetable, fish or shellfish dressed with miso, vinegar or sesame. Here is squid and fish roe. When you’re preparing the dish, you mix the seasoning with the other things and then eat it. We have lightly grilled skipjack tuna with deep fried tofu. Pickled ginger. Broccoli. There’s also octopus. Conger eel. Salmon. Pumpkin. Pak Choi and Kyoto taro root.

And we also have the soup. I’ll light the flame, once smoke starts to come out, it’s done. Then you mix it with small boletus mushrooms and eat it.

Thank you, Ujita Hiroshi!

Awomb

 

Awomb

 

Awomb

 

Awomb

 

Awomb

 

Awomb

Meet In Your Kitchen | Taka’s Japanese-Italian Fusion Cuisine in Kyoto

Taka Kyoto

Eating at Taka‘s restaurant in Kyoto feels like having a Japanese feast celebrated with your exuberant Italian family. The place is tiny, it’s in a narrow old house tucked into a small secluded alley right in the old city’s busy heart. An L-shaped counter separates the celebrated chef from his hungry guests, however, there’s a lot of interaction going on. The kitchen is open so you can follow all of Chef Nishimura Takashi’s steps, how he grinds the fresh wasabi in smooth circles on a shark skin-covered wooden board (the only proper way to grind the green root as I’ve learned). The charming chef looks like a versed dancer. He quickly grabs pots and spices from the shelves behind him and then, in the next second, turns around to briefly cook tender chicken sashimi (see the recipe below) in the flames of his little grill; or local beef, or mackerel until it has a crispy golden crust all around. The restaurant’s menu is a revelation, sea urchin spinach and tempura lotus root sprinkled with matcha salt are simply divine. Sitting at the counter and enjoying Japanese tapas is a feast in its true meaning: You eat, drink, and share delicious treats with old and new friends.

Kyoto born Chef Taka has lived and worked abroad for years, in Australia, Denmark, and in Italy, in Milan, where he also met his wife Akane. Before they opened their gastro pub in Kyoto, Taka worked at Armani’s Nobu Milano restaurant for 10 years, which explains why you can also find wonderful organic Tuscan wines and Mediterranean style dishes on the menu, like the fruitiest eggplant slowly cooked in an aromatic tomato sauce. It’s the combination of these two worlds that makes the couple’s restaurant in Kyoto so exciting, yet at the same time it’s so relaxed. It’s the kind of place where you end up chatting with the guests sitting next to you, exchanging stories and dishes, saying Kanpai (cheers) with a glass of red wine in your hand or ending the night with an extensive sake tasting involving everyone in the room.

Taka and Akane love food and people, the people who visit them, their guests, and the people they work with, their kitchen team, but also the suppliers who deliver fresh produce and products of the best quality to this tiny kitchen in the heart of Kyoto. The couple knows all of them personally, they’ve been working with them for years, most of them coming from the area. Having lived and worked in two food meccas in the world, Italy and Japan, the restaurateurs say that they can only create fantastic food, if the ingredients are perfect, vegetables picked at the peak of their season, the meat coming from animals that were bred and fed with care and respect. Japanese and Italian cooking is similar, both cuisines are very simple and focus on good ingredients, and at Taka, they create a very complete fusion.

In the next months, I’ll share many Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!

Taka Kyoto

 

Taka Kyoto

Grilled Chicken Sashimi with Wasabi

By Taka Nishimura

Chef Taka uses chicken of outstanding quality, he knows the farmer and he can guarantee the meat’s quality and freshness, which is why he can serve this dish almost raw. However, it is highly recommended to cook chicken until it’s cooked through.

Serves 2

4 skinless, boneless chicken breast tenderloins, sashimi grade
Freshly grated wasabi
Rock salt
4 wooden skewers

Heat the BBQ.

Cut each chicken tenderloin into 6 pieces and thread onto the 4 skewers. Grill lightly until just done.

Spread the chicken with freshly grated (!) wasabi and season with salt to taste. Serve immediately.

Taka Kyoto

 

Taka Kyoto

Could you introduce yourself?

My name is Nishimura Takashi. I lived in Italy for a long time, about 15 years. I worked in a world-renowned restaurant called NOBU. And about 2 years ago I moved back to Kyoto, my hometown, to open this small restaurant.

What is your most cherished childhood memory connected to the kitchen?

A cherished memory would have to be, when I was a child, all I watched were shows about food on TV. All I watched were cooking TV shows, and I remember cooking a lot with my siblings when we were small. No one in my family is a cook, I’m the only one who followed a career as a chef. And it was when I was in primary school that I decided to become a chef, it was then that I decided to learn how to cook Japanese cuisine.

Why did you decide to move to Italy and work in Italy as a chef?

Well, I had always made Kaiseki cuisine in Kyoto, I trained in Kyoto Kaiseki for about 15 years. And so then, at that time, Kyoto was amazing, it was a narrow entrance into Japanese cuisine. Now foreigners come here to learn how to cook Kaiseki, but it wasn’t like that at all back then. So I wondered why? Japanese people go to Italy to study Italian cuisine, and to France to study French cuisine. So I thought, why don’t foreigners come to Japan to study Japanese cuisine? I figured that if that was the case than I wanted to go abroad to teach Japanese cuisine, that’s what I felt I wanted to do. And I remember feeling that I’d been a chef for 10 years, I’d learnt a lot in that time and wanted to share my knowledge abroad. So I chose somewhere that had similar food. I first chose Italy because I thought they had a simple way of cooking, and ingredients that had a lot of umami, where Japanese cuisine would be accepted by Italian tastes. And then I worked at NOBU in Italy.

Now, in the last 10 years, things changed. Many chefs come to Kyoto and Osaka, Tokyo, studying the Japanese style.

What changed over the years? 

That was probably because Japanese chefs became more open-minded. I think one reason is that they began to look outside Japan more. Also, famous chefs wanted to learn more about the mentality behind Japanese Kaiseki cuisine and how to make it. Making each course and slowly serving one small plate after another is Japanese Kaiseki’s style. That’s how you draw people to your restaurant. You’re delicate even when you serve the food, there is even a special orientation for each plate.

Every country’s cuisine is wonderful, but in Japan it’s all about the cut. For example, how sashimi is cut, how the vegetables are cut, how the meat is cut. These cuts create an excellent style of cooking, it’s Japanese cooking. It’s “katsuru” which means “cuts”, which is what gives it such a high aesthetic. Even with sashimi the chefs cut them beautifully. It creates a very unique Japanese aesthetic. The kitchen knife cuts amazingly, every day you need to sharpen your knives, and sharpening them is one part of a chef’s training, and I think even foreigners now sense this beauty. That’s what I think. Vegetables cut straight, how they’re beautifully peeled into hexagons, all kinds of shapes, the manual work that goes into it is amazing.

What makes a good knife? What are the important features of a good knife?

Of course how it cuts, the better it cuts the more beautiful the cut is. Also, how it feels when you hold it. You might have the same knife, but their weights can be different. Or there are knives that suit only you, so Japanese chefs will always buy their own knives. There’s also a balance to them. And chefs are using them for a long time, for the entire day, so it needs to not get worn out, it needs to not be a burden for chefs that work for a long time. I think all of these things are considered when knives are made, there’s a long history for this. Japanese knives are very particular. Fish is fish, vegetables are vegetables, meat is meat, and we divide them as such, but I think a knife that can be used for all of these is amazing.

What is special about Kyoto cuisine compared to other parts of this country?

I’d say how we compose the meal. There are a lot of difficult things about it but the best thing is how you can enjoy it as you like. Next is how the plates match. There are a number of Japanese meals where you look at the plates as you eat, and there are lots of regions that can make great plates. There’s also the matter of gathering good ingredients. Of course each region of Japan has its own wonderful ingredients, but among those, you have Kyoto chefs who will search all over the place to find the best ingredients of the season and who will think of their customers’ faces as they make them. That mentality is unbroken, it’s passed down from generation to generation, there’s always been this fantastic culture. That’s why there are so many things that I think are amazing.

In Kyoto, it’s really easy to distinguish between the 4 seasons. So when autumn comes you can use autumn ingredients and incorporate their beauty into the food. Kyoto chefs understand this sensibility.

How close is the relationship between you and your suppliers?

That’s a great question. You can do that really easily in Kyoto. I’ve been working… since I was young, so I’ve been working with suppliers since the beginning. There are fishmongers and vegetable suppliers that I’ve known for over 30 years. People also introduce me to people they know, like butchers. I’ve used a lot of connections, and I try to use Kyoto wholesalers as much as possible, and I want to use them more. I have my restaurant in Kyoto right now. We say “local produce for local consumption”, and it was the same in Italy. There are ingredients specific to regions and I try to incorporate them in my cooking as much as possible. Now I get requests from the Ministry of Agriculture and other chefs help out too. I want to help revitalise the area, so I get introduced to a lot of different people, and I can get hold of good ingredients. That really makes this job easier.

What was your vision for your restaurant?

I wanted a small restaurant where I could be close to customers sitting at the counter, so they’re closer to the chef too. That way everyone can enjoy themselves as they eat, that makes the meal even more delicious. That way people’s circle of friends could grow too. I want to make a restaurant like that and introduce everyone to it. And if I get any foreign customers, I want to help give them a place where they can make wonderful memories of Kyoto. I really wish from the bottom of my heart that I can help them make memories.

 Thank you, Taka and Akane,  for creating wonderful food and memories!

Taka Kyoto

 

Taka Kyoto

 

Taka Kyoto

 

Taka Kyoto

 

Taka Kyoto

 

Taka Kyoto

Meet In Your Kitchen | Masako Imura’s White Curry in the Heart of Tokyo

Kakura Curry Tokyo

It’s quite a surreal scene that Chef Masako Imura chose for her acclaimed Kakura restaurant: classical music playing in the street from invisible loudspeakers, no cars, but people riding bicycles or walking slowly listening to the gentle harmonies filling the city’s warm air. We’re in Tokyo, right in its vibrant heart, however, the peaceful scenery, the narrow house where the restaurant sits snugly speaks a different language. The green facade covered in ivy and sparkling little lights, pots of flowers, herbs, and leafy plants arranged in front of the restaurant’s window, create a vivid contrast to the city’s monotonous grey. Aromatic mint, basil, rosemary, and curry leaves grow right at the chef’s doorstep ready to be brought into the kitchen and turned into complex spiced dishes.

The outside couldn’t suit the inside any better, it’s a green oasis created for a restaurant that celebrates Japanese curry based on the old knowledge of Chinese medicine. Masako Imura’s creations are rich, colorful, and delicious. Her Kakura Curry, Black Curry, her seasonal vegetable, or fish curries are a pure pleasure to eat and caress and activate different parts and functions of the body. The nutritionist follows a holistic philosophy, in which mind and body, people and nature complete each other in harmony. The ingredients that she uses are organic, regionally and seasonally sourced, the chef knows how to treat each vegetable with respect and creativity. It’s about healthful food that gives you energy rather than taking it away from you.

Fans from all over world, many artists and musicians, love her beautiful cuisine, all those fascinating flavors that Masako brings to the table at her cozy restaurant that she opened in 2005. The food warms up your soul. When you get a chance to meet her in her kitchen for a few hours to chop and chat, and peek into her pots and pans, you get a glimpse of this universe that makes her creations so unique and special. Spices are her most important tool, the heart of every composition. She works with perfectly balanced curry mixtures, individually put together for each dish, like in the fish curry that she shares with us. The warming fragrance of mustard seeds and curry leaves sizzling in hot oil are the start, the tempting invitation, before the other parts follow to add more depth: Nam Pla (fish sauce), shrimp paste, ginger, and colorful spices, which she attentively arranges in little bowls next to the cooker. Lotus root, sticky Japanese potato, golden pumpkin and carrot, and various mushrooms lend freshness and flavors to a creamy sauce full of heat.

The love for the kitchen lies in the family, Masako Imura’s mother taught her daughter how to cook and use food for more wellbeing. Masako was the youngest, but physically the weakest, her mother paid a lot of attention to her girl’s diet. Nourishing, natural, and rich, using Chinese medicinal cuisine, it helped her to become the strong and inspiring woman that she is today, loved for her curry creations at the Kakura restaurant.

In the next months, I’ll share many new Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!

Kakura Curry Tokyo

 

Kakura Curry Tokyo

Autumn White Curry with Salmon

By Masako Imura

Serves 3-4

3 tablespoons rapeseed oil
1 tablespoon mustard seeds
8 curry leaves
100g / 3.5 ounces onion, cut into 1 cm / ½ inch cubes
60g / 2 ounces radish, cut into 1 cm / ½ inch cubes
60g / 2 ounces carrot, cut into 1 cm / ½ inch cubes
100g / 3.5 ounces shimeji mushrooms, shredded
3-4 fresh cayenne peppers, finely chopped
1 tablespoon grated ginger
1 tablespoon grated garlic
40g / 1.5 ounces shrimp paste
1 teaspoon salt
1 teaspoon fish sauce
1 teaspoon garam masala
1 teaspoon ground coriander
1 teaspoon ground cinnamon
1 teaspoon ground cardamom
1 teaspoon garlic powder
1 tablespoon coconut flour
1 tablespoon almond flour
5 g sweet radish root
500ml / 2 cups water
800ml / 3 1/3 cups milk
30g / 1 ounce lotus root, cut into 1 cm / ½ inch cubes
60g / 2 ounces yam, cut into 1 cm / ½ inch cubes
90g / 3 ounces pumpkin, cut into 1 cm / ½ inch cubes
10g / 1/3 ounce white cloud ear mushroom, soaked in water
300g / 10 ounces salmon filet, cut into bite size pieces

Boiled white rice, for serving

A handful fresh coriander leaves, for serving

In a large pot, heat the oil, mustard seeds, and curry leaves over medium-high heat for about 15 seconds or until the seeds start popping. Add the onion, radish, carrot, and shimeji mushrooms, turn the heat down to medium and sauté, stirring once in a while, until soft.

Stir in the cayenne peppers, ginger, garlic, shrimp paste, salt, and fish sauce and cook for 1-2 minutes; then add the garam masala, coriander, cinnamon, cardamom, garlic powder, coconut powder, almond powder, and sweet radish root, stir and cook for 1 minute.

Pour in the water and milk, bring to a boil, and cook, uncovered, for about 20 minutes over medium heat. Add the lotus root, yam, and pumpkin and cook for about 5 minutes or until soft. Gently stir in the white cloud ear mushroom and salmon and cook for 5 minutes or until the salmon is cooked through; season with salt to taste.

Divide the rice and curry between bowls, sprinkle with fresh coriander, and serve immediately.

Kakura Curry Tokyo

 

Kakura Curry Tokyo

What is your most cherished childhood memory in the kitchen? 

I couldn’t eat carrots, so every day my mum would mash them up so they were easier for me to eat. Every single day without fail. Now I love them.

How old were you when you decided to become a chef?

It was actually quite late, I was 25. Actually, I used to be a cooking instructor, but I was 25 when I wanted to work in a real restaurant as a chef.

What makes Japanese cuisine so special? 

It has to be the culture of using dashi. Western cuisine uses stock but in Japan we use kelp and bonito and have the custom of using dashi instead. Staple Japanese food will almost always harness dashi, giving them a subtle undertone of flavour. I would say that’s what makes Japanese cuisine special.

What kind of dashi do you use in your restaurant?

I use dashi made from kelp and dried shiitake mushrooms.

Which role does curry play in Japanese cooking?

I would say it’s similar to Japanese miso soup, each family will have their own curry. Mum’s curry will always taste like mum’s curry. We’ve always had miso soup, but lots of Japanese people say their favourite curry is their mum’s curry. But each Japanese family will have their own Japanese curry. Normally.

Do you have a close relationship with the suppliers of your restaurant?

There are suppliers I’m close to and those I’m not so close to, but I buy products from them because I trust them, because they’re people I know.

Are organic and local products important to you?  

Very, very important!

Is there a rising interest in Japan for organic food?

It’s incredibly popular.

Do you think that the people – over the last few years – became more critical with their food?

I’ve found that lately more and more people are concerned about their health, and so I’ve been getting a lot more customers who express interest in organic and chemical free food, as well as cuisine that incorporates Chinese medicine.

What fascinates you about Chinese medicine? 

The more I learn about Chinese medicine the more it makes sense, so I study more and more. Of course, each person is different so I have to learn what that means. There are things that will work for someone but not for others, so I diagnose each individual and carefully select the Chinese medicine that works best for them. I love it that, what each person has to eat, is always going to be different.

Where did you learn about Chinese medicine?    

I studied at the Japanese branch of the Beijing University of Chinese Medicine.

What made you so interested in Chinese medicine?

I’d have to say it was when I was young, my mum used natural things. She actually used natural Chinese medicine more than conventional medicine. Well, we went to the doctors when we were sick, but if we had to take medicine, had to put something in our bodies, we took Chinese medicine. Yeah, that was it. Ever since I was really small, we went to a Western hospital for treatments, but if we had to take anything she always used these really old, traditional Chinese medicines because she thought they were safer. That’s how I was brought up. Then I learned a little about macrobiotics and all sorts of other things. But it wasn’t because I thought “people have to eat these”, it was because each person’s biological makeup is different. And so, I started to make food using Chinese medicine for individuals to match their individual makeup. I slowly realized that I didn’t just have an interest in this, that this was real cooking. There are foods that can be good for certain people but not good for others. There are all kinds of medicinal diets that are good, but finding the right ones for each person can be a challenge.

What’s the clients’ feedback? Do the people come because they want healthy food? Or do they just come because they find it’s delicious?

I think they come because it’s delicious and healthy. Because they want to be healthy in a delicious way.

What’s your association with the cherry blossom season?

It’s the season students start the new school year so it’s seen as the season of new beginnings. It makes me feel really optimistic. This area here called Nakameguro is famous for a lot of cherry blossoms, it’s also called a town of cherry blossoms.

Can you use the blossoms for your cooking?

Yes, I use them a lot. I put them into the rice, ice cream, and pudding. The ingredients I use will vary depending on the season, but they’re all good for you.

Thank you very much, Masako Imura!

Kakura Curry Tokyo

 

Kakura Curry Tokyo

 

Kakura Curry Tokyo

 

Kakura Curry Tokyo

 

Kakura Curry Tokyo

 

Kakura Curry Tokyo

 

Kakura Curry Tokyo

Meet In Your Kitchen | Tokyo’s Tsukiji Fish Market & the Secret of Sushi Dai

Tokyo's Tsukiji Fish Market & Sushi Dai

Traveling is bliss. To leave the known behind and discover new tastes and smells, cities and landscapes is food for our minds, it lets us grow, change, and evolve.

Flying into Tokyo and seeing its cityscape spread out peacefully in front of me in misty pastel colors felt unbearably exciting. It’s a place where I had never been before, a place that everybody told me would change me, and my culinary perspectives. Food plays a central role in Japan’s complex culture, food of high quality is not a random choice, it’s a philosophy, they are tied together, inseparable. I was curious and impatient to put the first bites of the country’s celebrated cuisine into my mouth, but also to wander around and fully experience the next stop of my culinary trip around the world together with Zwilling.

Japan is a world of contrasts, connecting the past and the future, silence and noise, gardens and buildings, minimalism and colorful kitsch, it all exists right next to each other, framed by a fascinating culture of multiple layers, it’s not easy to grasp. Its depth is captivating and disorienting, it’s mysterious, and sometimes hard to understand for someone who comes from the outside. I usually visit countries for my Meet in Your Kitchen features that I’m personally connected with, either through former trips or through my own culinary upbringing. So I usually take a lot of experience, information, and understanding for a culture with me, but when you enter a world that you’ve never seen before, you can’t just look at its kitchens. It’s not enough to visit the famous Tsukiji fish market in Tokyo or talk to the cities’ celebrated chefs and enjoy unknown culinary pleasures at their excellent restaurants.

I wanted to see more, I wanted to listen to the stories – or at least some of them – that make this culture so rich and colorful, in and outside the kitchen. I joined a tea ceremony at 6 in the morning when the sun and the birds just woke up. I visited the famous temples in Kyoto, we stayed at one of them (Jorengein) overnight, and I interviewed a temple gardener to gain a better understanding of the gardens and their centuries-old architecture. I got swept away by this overwhelming peace that takes over your mind like a wave, when you sit on the wooden steps in front of the meditative gardens of the Ryoanji or Kenninji Temple. Time seems to stop as you enter the stone gardens, there seems to be an invisible curtain between the world outside and the world inside the temples’ walls.

I felt a bit worried, how would it feel to be in a country where you can’t read any signs, where you can’t really communicate, or even order a taxi or book a table at a restaurant? Would I get lost in translation and miss out on the “real” Japan? I believe the best way to discover a new city is on foot, to walk and keep your eyes open, and not to be shy. Just smile, the easiest form of human communication. That’s what we did on our first evening in Tokyo and within seconds we found one culinary gem after the other.

Tokyo's Tsukiji Fish Market & Sushi Dai

The Tsukiji fish market has its own pace, it’s fast, busy, and loud, it’s a universe with its own rules. The craziness starts late at night, at 2am. When Tokyo is still asleep and covered in quiet darkness, fishermen, chefs, and fishmongers stream into the legendary halls to buy and sell, to bid on tuna at the famous auction and ship the daily catch out into the world.

The floor under the filigree metal construction built in 1935 is grey and wet from the ice, daylight cutting sharply through the skylights falls onto men in rubber boots carrying bags and boxes, running diligently, or driving little electronic carts so fast that you have to jump quickly to save your life. It’s a man’s world, running like clockwork. The world’s biggest market for fish and seafood is the heart of the fishing industry. It’s the place where the sea’s treasures are rated and traded, where the best fish in the world is taken straight into the kitchens of the sushi restaurants that set up their businesses in the low buildings around the market. Yet it’s also the place where you can listen to the stories of the people who’ve been working with the sea and its gifts for generations, these people are concerned about the state of this sensitive ecosystem. The number of fish decreased dramatically and shoals that used to pass the coasts seasonally are missing. Due to global warming, summer fish fills the fishing grounds during winter and the fish that used to flourish in the cold season is nowhere to be found. There is such a beautiful and rich variety out in the seas, which we’ve always used in our kitchens, but we have to keep the balance. The fishmongers and chefs that I met all said the same. “Fish and seafood used to be a delicacy, a special treat, if we degrade it to fast food, we’re going to lose this treasure!” says Mr. Yokoyama, the owner of EIKO Suisan Fisherman fish store at Tsukiji.

At Tsukiji, you can admire the whole abundance that nature gives us, hundreds of different kinds of fish and seafood, in all colors and sizes, mussels, crustaceans, octopus, and sazae (turban sea snail). It’s almost mesmerizing to wander through the corridors between the stalls, which makes it hard to pull yourself away from it. Going straight to one of the most celebrated restaurants in the area definitely helps. Sushi Dai is just outside the market, you can easily spot it, as it has the longest waiting list and queue lined up outside the curtains swinging at its door.

Chef and owner, Urushibara Satoshi, has two outstanding qualities. There’s no doubt that he makes some of the best sushi creations in town, he learned from his father, but this man also has highly entertaining qualities. He’s like a conductor and Sushi Dai is his stage. Behind his narrow restaurant’s counter, he attentively cuts the fish and shapes the rice, you can see that he was trained for more than 20 years to become the master that he is today. The movement of his hand and arm looks like a smooth dance, so concentrated yet intuitive. And this man is funny! As he placed one gorgeous creation after the other in front of us, he told us stories with the dramatic voice of an actor, you can see and taste that he truly enjoys what he does.

Every morning at around 3am, he goes to the Tsukiji market to pick the fish for the menu. The relationship between him and his suppliers is close. He knows that a pure minimal treat like sushi depends on the quality of its ingredients. Sushi is what it’s made of, a handful of ingredients. So trust the masterly hands of Urushibara Satoshi and his team of chefs and go for the Omakase menu. Depending on the daily catch and find at the fish market, you can indulge in the freshest tuna, flounder, and horse mackerel, or Ikura (salmon roe) rolled in seaweed. Scallops and clams, prawns and sea urchin, every piece looks like a piece of art, every bite is like tasting the sea.

Thank you Mr. Yokoyama for showing us around at Tsukiji, Urushibara Satoshi for your fantastic sushi and humor, and Makiko for guiding us through your city!

In the next months, I’ll share many new Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!

Tokyo's Tsukiji Fish Market & Sushi Dai

How to make sushi

I’ll share a recipe for sushi rice with you, but when it comes to the most important ingredient, the fish, I can only recommend to go to your trusted fish monger and ask him which fish he can offer, fish of the best sushi quality. After I ate sushi in Japan, prepared by outstanding sushi masters, I don’t even bother eating it anywhere else anymore. No matter if you go for fatty tuna belly, halibut or fish roe, it has to be of the best quality. Then you just cut it into slices, eat it pure, or lay it on a bite of rice. Heaven.

For the sushi rice

2 tablespoons rice vinegar
1 tablespoon mirin (rice wine similar to sake)
1 tablespoon sugar
½ teaspoon salt
180g / 1 cup short-grain sushi rice
240ml / 1 cup cold water

In a small bowl, mix the vinegar, mirin, sugar, and salt, stirring until sugar and salt are dissolved; let it cool.

Rinse the rice 4-5 times with cold water, then drain in a colander for 15 minutes.

In a medium saucepan, bring the rice and water to a boil over high heat. Reduce the heat to low, cover the pot, and simmer the rice for 15 minutes. Take the pot off the heat and let the rice rest for 15 minutes, don’t lift the lid. Transfer the rice to a large glass bowl.

Sprinkle the warm rice with the cold vinegar mixture and stir gently, you can fan the rice while mixing, that will help it to dry, if it’s too sticky. Cover with a damp kitchen towel while preparing the sushi. Sushi rice is best at body temperature.

Tokyo's Tsukiji Fish Market & Sushi Dai

 

Tokyo's Tsukiji Fish Market & Sushi Dai

Interview with Urushibara Satoshi, Sushi Dai restaurant, Tokyo

Can you tell us about your work?

I come to work in the morning, go to buy fish, and then I spend the rest of the day serving customers. At 3am I go to buy the fish, and then start making sushi at 4:30 am.

 

How old were you when you started learning to make sushi?

I was 18. So, that’s 27 years ago. I came to the restaurant 25 years ago. I started off making kaiseki ryori in Kyoto. For two years. Then I came back to Tokyo and became a sushi master.

What made you become a sushi master?

As I said, I started off in kaiseki ryori. This is a world where you can’t directly serve a customer until you’ve been doing it for 20 or 30 years, and then it’s just serving sashimi or something. I wanted to be talking to the customers. And within the world of Japanese cuisine, it was only as a sushi master that I could serve customers face to face. So, it wasn’t that I became a sushi master because I wanted to, I just had to become a sushi master. And I also just enjoyed it too. That was the first time I really enjoyed my work. I mean, with kaiseki ryori you don’t really get to meet the customers. You’re working behind the scenes, and it’s usually the women who serve the food. The chef has to stay hidden in the shadows. But I didn’t want this. I wanted to chat with the customers while I was serving them.

What is your most cherished childhood memory connected to the kitchen?

In the kitchen? I just used to get scolded (laughs). But ever since I was a child, I really loved cooking. I don’t know if I was any good, but I would imitate and pretend I was chopping things with a knife, for example. When I was in second or third grade, you know how everyone used to try and peel an apple in one long piece? Well, I was always top of the class in that! Also, if you’re going to be a chef, you need more than to be good at cooking. It’s most suited to someone who loves eating. More than being good at the actual cooking, feeling a real passion, and a hunger for food and eating is more important. If you don’t have any interest at all in eating, then there’s no way you’ll improve. No way.

What are the essential features of a good knife for you? What makes a good knife?

First of all there’s the length of the one I use. There are lots of different types of lengths. And it comes down to the weight, the thickness of the steel. At first, this knife used to be this long. But you sharpen it. So, it gradually becomes shorter and shorter. So the length and things like that are not features that last. Because the knife just gets gradually shorter. So, what else? The most important thing is that it can be controlled most effectively. I mean that it cuts exactly as you want it to. After that, the weight… Well, there are different types of people. People who like lightweight knives tend to use the strength of their arm to cut. I like heavier knives, and I use the weight of the knife to cut the fish. So, for me, I prefer a long, heavy knife. But it depends what kind of person you are. Everyone’s different so I can’t give a definitive answer. But that’s what I like.

How old is your knife?

I’m about 3 to 4 years into this one. On average, I would replace it after around 6 years.

How do environmental changes affect the fish that you buy for your restaurant?

Yes, it has had a huge impact. But, I don’t know if it’s the climate, or the flow of the ocean. This year, there’s the kuroshio Japan current, and the fish follow the flow of rivers where there are a lot of plankton. So, they come closer, don’t they. Then, when this Japan current approaches, that’s when we fish. But, this year it’s more erratic, so there are lots of types of fish that don’t come close to Japan as a result. So, I don’t know if it’s the temperature, or related to the flow of rivers. But there are fish we can’t catch. Each year it’s something different: one year might be good for yellowtail and the next year might be bad; or one year is good for saury and the next is bad; or another year might be terrible for sardines. It’s like this every year. For example, I’ve been doing this for 25 years, and each year has been different. No two years are the same. At the moment, for example, there is a lack of urchins. This year, the fishermen can’t catch any salmon, and the saury is not so good. There are so many different situations. That’s why you have to adapt each year. You just simply can’t keep making the same sushi for 25 years. The fat distribution is also completely different. I mean, completely. This is what a battle with nature looks like. So, I keep an eye on the weather forecast. And depending on the weather, you have to change the fish you stock. It’s not like we’re working in a factory doing the same thing day in day out. You also have to check whether the fishermen were able to take their boats out. So, yes, of course. I go to the market, and, of course, I buy the fish that is there. But, how can I say? There are some fish that you don’t want to run out of. So, with these, if there’s a typhoon on the way, we can stock up on them before it comes and store them while they’re at their best. There are lots of different approaches.

Do you think we should change the way we consume fish? Like eating less fish?

Yeah, statistically… there are graphs, according to these, there’s been a dramatic decrease in the amount of fish people eat. But, compared with when I was young, ‘conveyor belt’ sushi restaurants are really popular. So I think sushi has become something really familiar for young people. This also has made it feel like something cheap. When we were young, if you didn’t have wads of cash, you couldn’t eat sushi – that’s the image I had. So, it has definitely become something more familiar for the younger generation. So, even in and around my restaurant, we get a lot of university students coming in, even in the morning. That’s something you never would have seen in the past.

How we can deal with the situation?

This is something that we battle year in year out, day in day out. All you can do is do as much as you can. That means keeping going until you get to a stage where you don’t want to make sushi with the fish that is available. I don’t know if this situation will ever come. I don’t know if this day will ever come. But I just want to keep going until it does. But if it does get to a point where I don’t want to work with the fish that is available, then I will quit.

Thank you, Urushibara Satoshi!

Tokyo's Tsukiji Fish Market & Sushi Dai

 

Tokyo's Tsukiji Fish Market & Sushi Dai

 

Tokyo's Tsukiji Fish Market & Sushi Dai

 

Tokyo's Tsukiji Fish Market & Sushi Dai

 

Tokyo's Tsukiji Fish Market & Sushi Dai

 

Tokyo's Tsukiji Fish Market & Sushi Dai

 

Tokyo's Tsukiji Fish Market & Sushi Dai

 

Tokyo's Tsukiji Fish Market & Sushi Dai

Meet In Your Kitchen | Nik Sharma’s Goan Coconut Curry

Nik Sharma

Spices, aromas, and flavors, and a great portion of tradition paired with curiosity create an exciting mix in Nik Sharma’s kitchen. Two worlds woven into his life feed the man’s inexhaustible creativity: India and the USA. The first country marks his roots, the land where he was born and raised, the latter represents his life since he was 19 and decided to leave the known behind and start an adventure that lasts till today.

Nik established a renowned food blog over the past few years, standing out from the start, visually and culinarily. A Brown Table  is loved for its eclectic recipes and stunning pictures. As a cook, Nik makes you hungry, as a photographer, he creates a unique mood that is captivating, appealing in a way that you want to frame his photograph and hang it on the wall and at the same time go straight to your kitchen and cook and eat the dish. He won Best Photo Based Culinary Blog awarded by the International Association of Culinary Professionals (IACP) two years in a row, quite an astonishing career for someone who only grabbed the camera professionally in his mid twenties.

The fact that his dad was a successful photographer in advertising might have influenced the young man’s feel for light and compositions, but Nik says there wasn’t that much of an exchange about his work between father and son, he only learned how to use a camera after he left home. But despite his parents’ warnings – they told him not to follow their footsteps – the photographer, blogger, and soon to be cookbook author did what many kids do: he did it anyway. His mother worked in hotel and restaurant management, she didn’t like cooking, but she had a huge folder full of recipes collected from newspapers and magazines. Nik was fascinated by the world of cooking and baking at an early age, he loved spending hours reading through Indian and western creations, he joined the family’s cook in the kitchen, and eagerly followed his maternal grandmother’s culinary activities. Her Goan heritage is still very present in many of his own recipes.

Reading the titles of Nik Sharma’s recipes makes your mouth water, you can literarily smell the warm aroma of cinnamon, ginger, turmeric, cayenne, and rosewater filling the kitchen: Imagine Masala Chai Pumpkin Cake, Khasta Kachori (Edamame-stuffed Fried Indian Bread), Honey Sage Turmeric Wings, Goan Coconut Cake, Cherry Black Pepper Cake, or his Toasted Pistachio Cake with Blood Orange Sauce. The recipe he shares with us for our Meet In Your Kitchen feature is a vibrant explosion framed in comfort food: Goan coconut curry with tender game hen and aromatic spiced rice.

The cook’s approach to food is scientific, Nik has an analytic mind and way to think about dishes, but at the same time he looks at things from a “feminine standpoint”, he likes curves and his styling reflects that. “I always think of ballet dancers when I shoot, I envision the dish being a solo dance performer on stage, the light’s only focused on the dance and everything else is dark. I always think of dance and curves, I find them very sensual, I find straight lines and diagonals a little harsh. Even if I do introduce them in my composition, you’ll see that there’s a circle cutting through, like a tangent. Again, I bring math into it because I’m a geneticist by training”.

You can be a gourmet, an aesthete, and share the beauty of life, but if you’re a critical mind, you know that there’s always more to talk about at the table: You can often see Nik’s hands in his photographs, to show the technique of a recipe, the preparation and instructions, but also to showcase that there are people from different backgrounds, that there is diversity behind the scenes of a restaurant. Nik says “We don’t really see them because they are never brought to the front”. There’s an imbalance in our society, a hierarchy in the way who works in the front or the back of a restaurant, and in the way people are paid and it’s our responsibility to talk about this imbalance and solve it.

Every Sunday you can find one of Nik’s beautiful recipes in his A Brown Kitchen column printed in the San Francisco Chronicle (if you don’t happen to live in the Bay area you can also grab some inspiration online on the newspaper’s website) and on October 2nd, 2018, his first cookbook Season will come out. Reflecting Nik’s unique style, the book combines the author’s roots and fascination for flavors with his journey as an immigrant in the US who lived in different states and experienced the culinary heritage from people coming to this country from all over the world.

And if you also want to eat in Nik’s kitchen, check out his supper club!

In the next months, I’ll share many new Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!

Nik Sharma

 

Nik Sharma

Nik Sharma’s Goan Coconut Curry

Serves 4

2 medium red onions, peeled
2 cups grated coconut (unsweetened)
1 cup (240ml) boiling water
1 inch-piece (2.5cm) peeled ginger root
1 teaspoon turmeric powder
8 black peppercorns
1 teaspoon cayenne powder
6 cloves
½ teaspoon ground cinnamon
1 tablespoon ghee or olive oil
2 whole garlic pods
2 Cornish game hens, patted dry
Kosher salt as needed
2 to 3 tablespoons chopped cilantro leaves
Boiled rice or bread (to serve)

Cut one onion into thin slices and keep aside until ready to use. Take the second onion and cut it into quarters.

Place coconut, water, ginger, turmeric, peppercorns, cayenne, cloves, cinnamon, and the quartered onion in a blender and pulse on high speed until smooth and combined.

Melt the ghee in a medium-Dutch oven (or a heavy pot) on medium-high heat. Add the sliced onion and sauté until golden brown for about 8 to 12 minutes. Peel any extra paper off the garlic pods and trim about ½ inch (1 cm) off the top to expose the garlic. Add the trimmed garlic pods to the onion and cook for about 1 minute. Then add the ground coconut spice mixture into the pan and cook stirring occasionally for 2 minutes. Place the two Cornish game hens in the pan snuggly and fill the pan with enough water to just cover the two birds. Increase the heat to high and bring the contents of the pan to a rolling boil, then reduce heat to medium-low, cover with a lid and allow to simmer for about 45 minutes to 1 hour until the birds are completely cooked and tender. Taste and adjust the seasoning with salt. Garnish with the chopped cilantro leaves and serve hot with rice or bread.

Nik Sharma

 

NikSharma11

 

Watch my interview with Nik in San Fransisco in September 2017:

 

 

Thank you, Nik!

 

Nik Sharma

 

NikSharma10

 

Nik Sharma

 

NikSharma13

 

Nik Sharma

 

NikSharma14

 

Nik Sharma

 

NikSharma12

 

Nik Sharma

 

Nik Sharma

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