eat in my kitchen

To cook, to bake, to eat and to treat.


Meet In Your Kitchen | Emiko Davies & Marco Lami’s Dolce Vita in Florence

Italy is a luscious feast, its abundant beauty captures all your senses. As soon as I cross the border into the boot, I don’t even know where to start feeding my cravings, which food I should try first, which wine I should pick to fill my glass. You can’t help it, you fall in love with this country, over and over again, every day. And when you leave, you don’t know how you should ever put anything else into your mouth than the most perfect Truffle Carbonara from that tiny Trattoria in Orvieto, or the dark Chianti from that dreamy Fattoria enjoying spectacular views over San Gimignano. The kitchens and tables are always filled with the most wonderful treats waiting to be shared, the people have their own pace and a smile for you at any time, the past is treasured yet critically considered and wisely woven into the present.

We arrived in Florence on a cloudy day, the Tuscan hills spread out softly like open arms welcoming us to the next stop of our culinary trip around the world together with Zwilling. Before you even enter the region’s capital, before the man-made Renaissance buildings, sculptures, and gardens take your breath away, it’s nature’s creations, the landscapes that you’ll save in your head and never forget. It’s a stunning scene, seemingly peaceful in warm, earthy colors, but like a romantic painting, you can feel that there’s always the potential for more, a hint of drama in the air. Bright blue skies brushed with pastel-pink strokes are the background for cypress trees swaying silently in the warm wind, the darkest clouds part suddenly and let the sun break through to light up this glorious kingdom.

The farmers markets offer the most colorful produce. Fruits and vegetables grow happily under the Italian sun, and they are proudly celebrated in the country’s various regional cuisines. Italian cooking follows one philosophy: use only the best products, don’t distract from their quality, and be guided by sensible simplicity. Especially in the countryside, you can feel a lot of respect for nature and the will to go back to a more natural and sustainable way of growing produce and raising animals. The younger generation takes a look into the past to learn from the precious heritage of their ancestors. Traditional recipes are being modified yet never erased from the menu, they have always been an important part of the culture, they are memories of the childhood of every Italian and special treats for the rest of the world.

Somewhere in the soft hills behind Florence, between olive groves and cypress trees growing tall into the sky, you can find a heavy iron gate framed by a washed out yellow wall. If you walk though this gate, you’ll see a group of old houses, a former farm, overgrown with ivy, the roofs covered in terracotta tiles, and the wooden shutters painted as green as the lush trees and bushes along the gateway. It’s a little paradise in the heart of Tuscany, it’s the home of Emiko Davies and her husband Marco Lami.

Emiko Davies is the renowned author of two celebrated cookbooksFlorentine: The True Cuisine of Florence and AcquacottaRecipes and Stories from Tuscany’s Secret Silver Coast – and she’s also the voice behind her popular food blog of the same name. She lived in many countries, half Japanese, half Australian, and the daughter of a diplomat, she’s seen the world, but when she met Marco, she lost her heart to this man and his home country. Emiko loves food and cooking, she has a background in art history and fine arts, so Italy, and especially Tuscany’s traditional cuisine is a vast field for her to explore. She’s fascinated by all the regions and landscapes, towns and villages, treasuring their own recipes. The style is Italian, always, but the interpretation is distinct. Everything is done for a reason in Italian recipes: the way an ingredient is used, the season and region that it is used in shapes every recipe. And its origin often lies in the past.

Emiko’s eyes sparkle when she talks about historical cookbooks, about exhibitions at the Renaissance Palazzo Pitti in Florence showing still life paintings of solitary fruits at the Medici gardens. She finds inspiration for her creations at every corner, at the markets, in conversations with the farmers who share their family kitchen secrets with her. She often finds that many formulas, certain combinations and preparations, haven’t changed since medieval times. The food that’s been cooked in Tuscan kitchens for centuries still finds its way onto today’s tables, the stories behind these recipes are still shared when the families sit together.

The cookbook author is lucky, she found her perfect match. Her husband Marco is the sommelier at the Four Seasons Hotel Firenze, he approaches wine with the same love, passion, and precision, with the same curiosity that his wife feels for food. He loves to dig into Italy’s red and white classics and discover new tastes, the hidden gems from his country. To be able to chat about his finds and choices together with his guests and share the mutual love for good wine and food at the table is the greatest gift in his eyes. The story behind a wine maker, the philosophy, gets as much attention from him as the taste. “Ideally, you can taste the idea behind a wine.”

Emiko and Marco, both experience food and wine with all their senses, but they also involve their intellect to discover new fields to learn from, to find new stories and flavors to stimulate their creativity. It’s a passion vividly lived in their household and lovingly passed to the next generation. Their little daughter is already a skilled cupcake and cookie baker, watching what happens in her parents’ kitchen with a curious eye. When we met, the young girl shared some of her baking secrets with me, just like her mother who prepared the fluffiest “naked ravioli” for us – Florentine spinach and ricotta gnudi.

In the next months, I’ll share many Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!


Ricotta and Spinach Gnudi

By Emiko Davies, from “Florentine: The True Cuisine of Florence”

(published by Hardie Grant, 2016)

 Serves 4

350g / 3/4 pound firm ricotta, well-drained
300g / 2/3 pound cooked, chopped, well-drained spinach (if making from scratch, you need about 1 kg / 2 1/4 pounds fresh leaves)
2 eggs, beaten
A pinch of salt, plus more for the water
A pinch of ground nutmeg
About 50g / 1/3 cup plus 1 tablespoon plain flour
50g / 3 tablespoons unsalted butter
20 sage leaves
Salt and pepper for seasoning
Handful finely grated Parmesan cheese, to serve

Mix the ricotta, finely chopped spinach, eggs, pinch of salt and nutmeg together in a mixing bowl. You should have a thick, compact mixture.

Place the flour in a shallow bowl.

With hands, roll walnut-sized spoonfuls of the gnudi mixture in your hands, and then in the flour until well-coated. Place on a lightly-floured board until they are all ready.

Prepare a large pot of water (salted with a spoonful of salt) and bring to a simmer. Carefully drop the gnudi into the water and cook for about 4-5 minutes or until they begin to float to the surface.

In the meantime, prepare the sauce by melting the butter in a wide pan over medium heat with the sage leaves. When butter is melted and before it begins to brown, add about 2-3 spoonfuls of the gnudi water and swirl the pan to create a thick sauce. Season with salt and pepper.

When gnudi are ready, remove them from the water with a slotted spoon and place in the sauce. Turn heat to low and swirl to coat the gnudi gently with the sauce. Serve immediately with the cheese.

Emiko, can you tell us a little bit about yourself?

I’m originally from Australia, but have been living in Florence since about 2005. I live in Stettignano, which is a little neighbourhood, hilltop town just outside of Florence and here from home I cook and write cookbooks and look after this wriggly one (her daughter, Mariú). I also write a lot of articles for other publications as well.

And you, Marco?

I’m originally from San Miniato, which is just outside Florence. I work with wine. I work as a sommelier in Michelin star restaurants and I help Emiko, or I try to help her as much as possible with cooking and looking after Mariú.

Why did you choose to dive into the cuisine of the Maremma region for your second book, Emiko?

The second book was basically inspired by 6 months where we lived in Porto Ercole, which is a little fishing village essentially, it’s quite small on Monte Argentario. It’s on the very, very, southern part of Tuscany, on the coast. It just struck me how different that part of Tuscany is from Florence and from the parts of Tuscany that are better known to most people. So I wanted to write about the cuisine there partly because it was so interesting being on the coast and having a cuisine that’s inspired by the seafood, as well as the mountains from that area. It’s really rugged and wild, and a mountainous area. And partly because it’s not very well known. So I wanted to tell the stories of this place that people don’t think of really as Tuscany. When most people think of Tuscany, they think of these rolling hills and olive groves and cypress trees around Florence, the Chianti or Siena, but I don’t think they think of the seaside, islands, and mountains, really.

How important is the connection between the recipes and the region where they come from?

In Italy, I think that every recipe is so connected to a place, either the landscape or the actual region. Even within Tuscany. This is something I wanted to show through the two cookbooks that I’ve written, even within one region the recipes can change from town to town. As many towns as there are in a region, you have that many recipes in many cases. With Aquacotta, talking about the Maremma, that was really evident. Even with towns that are only a 15 minute drive away from each other have their own versions of an aquacotta, for example, which is a soup. Florence itself, has dishes that you only find in the city of Florence. So not only are they Tuscan, they’re actually Florentine. Even a ten-minute drive outside of Florence, there are some dishes that you just won’t see anywhere else outside of that invisible boundary. That’s true for all of Italy – it’s the same! – which is why I really like to write about a place that I get to know by living here or even visiting. I find it just endlessly fascinating how a landscape, or the town culture or a city culture – but even smaller than a city, like what they call in Italian a paesina, a little town – changes from one place to the next.

So first it’s a place and then the recipes? 

Yes, although sometimes it’s the recipe first and I ask “why is the recipe just like that? Is it always just like that?” And then you get to know that landscape and “Oh! It’s because the landscape is this way, or there are certain things that grow there, or certain things that have always grown there, or there are certain things that you only see in a particular season.” Everything has a reason, I find, with Italian recipes. There’s always a reason why there’s that particular combination of ingredients in a recipe and it’s usually to do with the landscape.

So, what’s next?

I have a book that I’m starting to work on, which will be family recipes. There will be a little bit of Tuscany, but also a little bit of some other regions based on Marco’s family history. So we’re going to the south of Italy, and also going to the north of Italy, and then meeting back in the center.

How do you develop and approach new recipes for your books?

It depends on how I come across it to begin with. But the way I usually approach a recipe, it’s often inspired by the market or the season, or visiting a place that I’ve just been to where I’ve tasted something and I want to recreate that recipe. Or if it’s the market, it’s because I’ve seen something really wonderful at the market and I really want to do a recipe. Then I really have to delve into finding out what is really the most traditional version of that recipe and why is it that traditional. So I often go into the history of that dish, I look at historical cookbooks – I love reading historical cookbooks! – so I’ll look at those, maybe talk to people. If it’s at a market, often people at the market know something. Or if it’s not from this region, then I try and talk to somebody who is from that region. So for example, I’ve got sitting in my fridge at the moment a recipe for quince. I found these beautiful quinces at the market and I just couldn’t resist – they looked so beautiful! – I just bought a whole kilo of them and then I thought later, what am I going to do with them? I wanted to try a recipe from Mantova (Mantua) and I just happened to be at the market with a friend of mine who is from there. She told me her aunt’s recipe for Mostarda Montovana, which is a really spicy fruit compote that you eat with cheese. That recipe is one that dates back to about the 13th century and there are many different ways to do it but I was looking at the very traditional ways. It’s amazing because it hasn’t really changed much since then. The recipe that my friend, Anna, gave me is more or less the same recipe that is recorded in cookbooks from centuries ago!

Does it happen very often that you find recipes that haven’t really changed much over the past few centuries?

Yes, a lot! Particularly a lot of Tuscan recipes are like that with no changes over centuries. They’re the same and that is also something that I find really fascinating because I come from a country which is so young and doesn’t have that deep rooted food culture. It’s really a mishmash of things brought from all over the world, in one place. So I’m always fascinated by these old, old recipes that haven’t changed for several hundred years.

Where do you find inspiration for your creative work?

The inspiration for my work really comes from a lot of things. The market, yes, and the season. As soon as it starts getting a little bit chilly, I suddenly start wanting to make soups and stews and baking things, for example. But I also get a lot of inspiration from historical books and cookbooks. I have an art history background and a fine art background so I also love looking at still-life paintings. In Florence, at the Petit Palace, for example, there’s a collection of paintings of still life. One of the Medici dukes had an artist paint all the different varieties of fruit that they had in their garden. So there are these paintings of just figs, and there are maybe forty or fifty different types of figs, each one painted singularly, and the same with apples, paintings of just apples, all the apples they had. And all the lemon trees – they had quite a big citrus collection…

So when you don’t know what to cook, you go to the museum?

Yes! I find it amazing when you see these things and it’s hard to find a lot of those old varieties of fruit, but now they are starting to come back. Well, somebody’s decided to care about it and has started growing these heirloom varieties and you can start to see them sometimes at the market. So whenever I see something kind of unusual and it looks like something from a Renaissance painting then I go “What is that thing?! I really want to cook with it! What can I do with it?” There’s a little old lady that sells fruit and vegetables in Piazza Santo Spirito and she has these heirloom apples that are about the size of an apricot…

…which you know from the paintings…

Yes! I did actually find them in a painting. She said they’re called Francesca apples and they’re from Florence and I saw them in one of these paintings… It’s amazing!

Marco, what makes Italian wine so special?

That’s a big question! So the special thing about Italian wines is – actually it could be a bit of a double-edged sword – is how complicated it is. A lot of wines in the world, new wine regions, even old wine regions, are quite simple to understand. Italian wines, what makes them different, is quite similar to the food. Every region has its own grapes and each grape is treated in a different way to make different types of wines. There are a lot of different wines to be discovered. So there are a few famous wines, a few famous names, but what is actually interesting is what’s hidden under those famous names in each of the 20 regions.

Do you have a favorite wine region?

No, I don’t have a favorite region. I don’t even have a favorite wine! As soon as a wine sparkles my curiosity, or makes me think a little bit it becomes a favorite. I think the good thing right now is that a lot of tradition is meeting with a lot of innovation, and as a general rule, things are getting simpler. There are a lot of wine regions that aren’t really famous that are now coming out with amazing stuff at good prices, which is also important for wine. For example, some parts of Sicily, like Etna especially. It’s for me, right now, one of the best regions in Italy.

What do you love most about your job?

I love talking to people who know more about wine and food than me, so learning! And the idea that wine and food are going back to an idea of simplicity and good stuff.

Is it just about the taste or is the philosophy also important to you?

It’s not just about the taste. The philosophy is sometimes more important, for me at least – knowing the context of something. If you consider wine like food, you cannot just concentrate on the taste. It’s like saying, this tomato is delicious but we had to chop down bushes, etc. to make it. The philosophy behind it is important, the idea of the produce is very important. I think what makes the difference between a good wine and a bad wine is actually what’s behind it. I mean, it’s almost strange for me to isolate the taste. Sometimes something can taste very good, but it’s kind of soulless. If there’s an idea behind it, it almost sounds very romantic, but it’s almost like you can actually taste the idea behind the wine. So sometimes the idea is more important than the actual taste… if you can talk about an objective taste!

Emiko, can you please tell us about the pasta with broccoli please, it’s such asweet story… the famous pasta!

(Laughing) Pasta with broccoli was a very improvised dish, but it was the first thing that I cooked for Marco when we were very early on in our dating phase, very early on. I really didn’t have anything in my fridge! At the time, I was living in this tiny, tiny apartment – the fridge was basically a mini-bar so to begin with I never had much in there anyway. Marco happened to be over and he happened to mention that he was hungry and I said, “Well, do you like broccoli?” and he said, “yes” which I found out later is….

(Marco)…a total lie!

It’s not his favorite food! If you couldn’t tell by the favorite things I like him to cook, he’s really into… he’s a protein man, less of an only vegetables man. But it was the only thing I had in my fridge so I made pasta with broccoli, a bit of garlic, some Parmesan cheese…

And did you like it, Marco?

I loved it.

(Emiko, laughing) He said, “I’m going to marry you!” when he took a bite of it.

If you could choose one person to cook a meal for you, who and what would it be, Emiko?

It would maybe be my grandmother, my mother’s mother, who passed away about 10 years ago. I would just ask her to make me a normal dish that she would make on any normal day. Something that I have lots of memories of. When I was eating her food I was a lot younger – I wouldn’t have recorded everything like I do now when I’m eating with somebody, where I mentally note everything about the dish! I would definitely have another one of her dishes.

And you, Marco?

It would definitely be my grandmother and one simple dish that I’ve been trying to make as well as she used to but it never works out really. It’s the simplest thing. A piece of meat, crumbed with Parmesan, cooked in butter and white wine. For some reason, it just doesn’t come out as nice. And the best part is actually not the meat itself because it’s just a piece of meat, but it’s the sauce that you could probably finish off a whole loaf of bread in it.

Thank you, Emiko and Marco!












Meet In Your Kitchen | Roll your own Sushi at Kyoto’s Awomb


Kyoto shares a kind of peace with its visitors that immediately takes control over body and mind. It answers all your questions and makes you speechless.

The city has two faces, the busy modern one of concrete, glass, metal, and noise, and then there’s the quiet side, when Japan’s old capital unfolds its true beauty. It’s not superficial, this beauty touched me deeply. You can see it, smell it, and taste it. Natural materials and clear lines create a compelling minimalist aesthetic dominated by dark wood and coal colored roofs shimmering silvery in the misty light. Silent stone gardens, temples, and shrines erase the noise in your head and fill it with serenity.

If this feeling could manifest itself in a restaurant, this would be the wonderful Awomb. The restaurant is in an elegant traditional house, hard to find in a narrow side alley in old Kyoto. You sit on the floor, on Tatami mats made of rice straw, in front of a low wooden table. The room is filled with natural light, golden warm as honey. The subtle sound of the floors creaking and birds hiding in the tall pine tree in front of the window break the gentle melodies of the traditional Koto music playing in the background. It sounds a bit like a harp, melodic yet hard, pure as single water drops.

The food created here is quite a new concept. Owner Ujita Hiroshi brings hand-rolled sushi, which is usually served at home, to the restaurant table to share with friends. A bowl of white rice, a teapot filled with steaming dashi broth, and a black lacquered tray full of little plates filled with stunning delicacies are the center piece of this culinary experience: you come to Awomb to roll your own sushi in one of the prettiest rooms that I’ve seen on my trip. The food itself, each little plate, looks like a piece of art. Seafood and vegetables can be mixed and combined according to your mood and refined with various seasonings, like fresh wasabi, grated ginger, plum sauce, salted vegetables, dried shrimp with mayonnaise, or tasty soy sauce jelly cubes. You can either add the ingredients to the rice bowl and eat it with chopsticks, or you can go for sushi in seaweed – rolled in your hands.

There’s no chance that I’ll ever have such a vast variety of ingredients to choose from in my own kitchen, but it’s so inspiring, I tried totally new combinations. I’ve learned that you shouldn’t be shy, just try not to use more than 4 to 5 main flavors and you’ll be rewarded with astonishing results. I got a bit excited and went overboard – the German girl came through – but my first “sushi in a bowl” made with pink grapefruit, salmon, fried sweet potato, square bean, gari (pickled ginger), and finely cut green matcha crepes tasted fantastic. Then I combined purple potato mash, octopus, and Ikura (salmon roe) and rolled it in seaweed, which turned into such a delicious beauty that I have to share this recipe with you.

The quality of each ingredient used at Awomb is outstanding, which isn’t a surprise, Ujita Hiroshi comes from a family that has been in the sushi business for decades. However, the young man didn’t want to follow his parents’ footsteps, he decided to start his own food adventure. His vision, to make hand-rolled sushi a delicious and fun experience for friends outside their homes, is a huge success. Long lines and waiting lists call for a well-planed reservation.

In the next months, I’ll share many Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!




Build Your Own Sushi:

Hand-rolled Sushi and Sushi in a Bowl inspired by Awomb

Serves 2

For the mashed purple potatoes

100g / 3.5 ounces boiled and peeled purple potato, cooled
1-2 tablespoons heavy cream
1 teaspoon butter
Fine sea salt
Coarsely ground black pepper
Freshly grated nutmeg

For the hand rolled sushi

Dried seaweed, cut into squares
Sushi rice (recipe below)
Octopus, boiled and cut into bite-sized slices
Ikura (salmon roe)

For the sushi in a bowl

Sushi rice (recipe below)
Pink grapefruit, peeled and cut into segments
Raw salmon, sushi grade, cut into bite size slices
Fried sweet potato
Boiled Edamame beans
Gari (pickled ginger)
Matcha crepe, very finely chopped
(if you make your own crêpes, mix 1 tablespoon of cooking grade matcha powder with 90g / 2/3 cup of plain flour)

Seasonings (optional)

Freshly grated wasabi
Freshly grated ginger
Plum sauce
Soy sauce

For the mashed purple potatoes, purée the potato, heavy cream, and butter in a blender or food processor until smooth and season to taste with salt, pepper, and nutmeg.

For the hand rolled sushi, place 1 tablespoon of sushi rice in the middle of a sheet of dried seaweed. Add 1 teaspoon of the mashed purple potatoes, a slice of octopus, and half a teaspoon of salmon roe. Roll like a cigar, add seasonings to taste, and enjoy.

For the sushi in a bowl, add about 2 tablespoons of sushi rice to a small bowl and stir in seasonings to taste (add just a little bit). Add 1 grapefruit segment, 2 slices of salmon, 1 crumbled slice of fried sweet potato, 2 Edamame beans, and a little pickled ginger. Sprinkle with 1 teaspoon of the chopped matcha crêpe and enjoy!

For the sushi rice

2 tablespoons rice vinegar
1 tablespoon mirin (rice wine similar to sake)
1 tablespoon sugar
½ teaspoon salt
180g / 1 cup short-grain sushi rice
240ml / 1 cup cold water

In a small bowl, heat the vinegar, mirin, sugar, and salt, over low heat, stirring until sugar and salt dissolve; let it cool.

Rinse the rice 4-5 times with cold water, then drain in a colander for 15 minutes.

In a medium saucepan, bring the rice and water to a boil. Reduce the heat to low, cover the pot, and simmer the rice for 15 minutes. Take the pot off the heat and let it rest for 15 minutes, don’t lift the lid. Transfer the rice to a large glass bowl.

Sprinkle the warm rice with the cold vinegar mixture and stir gently, you can fan the rice while mixing, that will help it to dry if it’s too sticky. Cover with a damp kitchen towel while you prepare the sushi. Sushi rice is best served at body temperature.




What inspired you to open a sushi restaurant? 

My parents ran a sushi restaurant that was very traditional but I wanted to do something different, something unique to me. I decided to focus on the idea of customers making their own sushi in an enjoyable way, and I started my own place.

Is that popular in Japan?

Hand rolled sushi (temakizushi) is popular now but it’s basically something that’s not eaten out. Everyone eats it with their families at home or at house parties. I thought that people would probably enjoy it if they could do something different and eat it at restaurants.

Which ingredients do you serve for the sushi creations?

Please let me tell you about aezushi, it’s sushi that you mix and prepare yourself. Firstly, we have vegetables and fish, we have sashimi – grilled conger eel – and turnip. There are vegetables from Kyoto that we often use, and this is yuba – a delicacy made from soybean milk. Further we have mackerel, which is served pickled in vinegar and Japanese scallop. Then we have shirae, a salad with white sesame, tofu, and white miso. We have aemono, which is vegetable, fish or shellfish dressed with miso, vinegar or sesame. Here is squid and fish roe. When you’re preparing the dish, you mix the seasoning with the other things and then eat it. We have lightly grilled skipjack tuna with deep fried tofu. Pickled ginger. Broccoli. There’s also octopus. Conger eel. Salmon. Pumpkin. Pak Choi and Kyoto taro root.

And we also have the soup. I’ll light the flame, once smoke starts to come out, it’s done. Then you mix it with small boletus mushrooms and eat it.

Thank you, Ujita Hiroshi!












Meet In Your Kitchen | Masako Imura’s White Curry in the Heart of Tokyo

Kakura Curry Tokyo

It’s quite a surreal scene that Chef Masako Imura chose for her acclaimed Kakura restaurant: classical music playing in the street from invisible loudspeakers, no cars, but people riding bicycles or walking slowly listening to the gentle harmonies filling the city’s warm air. We’re in Tokyo, right in its vibrant heart, however, the peaceful scenery, the narrow house where the restaurant sits snugly speaks a different language. The green facade covered in ivy and sparkling little lights, pots of flowers, herbs, and leafy plants arranged in front of the restaurant’s window, create a vivid contrast to the city’s monotonous grey. Aromatic mint, basil, rosemary, and curry leaves grow right at the chef’s doorstep ready to be brought into the kitchen and turned into complex spiced dishes.

The outside couldn’t suit the inside any better, it’s a green oasis created for a restaurant that celebrates Japanese curry based on the old knowledge of Chinese medicine. Masako Imura’s creations are rich, colorful, and delicious. Her Kakura Curry, Black Curry, her seasonal vegetable, or fish curries are a pure pleasure to eat and caress and activate different parts and functions of the body. The nutritionist follows a holistic philosophy, in which mind and body, people and nature complete each other in harmony. The ingredients that she uses are organic, regionally and seasonally sourced, the chef knows how to treat each vegetable with respect and creativity. It’s about healthful food that gives you energy rather than taking it away from you.

Fans from all over world, many artists and musicians, love her beautiful cuisine, all those fascinating flavors that Masako brings to the table at her cozy restaurant that she opened in 2005. The food warms up your soul. When you get a chance to meet her in her kitchen for a few hours to chop and chat, and peek into her pots and pans, you get a glimpse of this universe that makes her creations so unique and special. Spices are her most important tool, the heart of every composition. She works with perfectly balanced curry mixtures, individually put together for each dish, like in the fish curry that she shares with us. The warming fragrance of mustard seeds and curry leaves sizzling in hot oil are the start, the tempting invitation, before the other parts follow to add more depth: Nam Pla (fish sauce), shrimp paste, ginger, and colorful spices, which she attentively arranges in little bowls next to the cooker. Lotus root, sticky Japanese potato, golden pumpkin and carrot, and various mushrooms lend freshness and flavors to a creamy sauce full of heat.

The love for the kitchen lies in the family, Masako Imura’s mother taught her daughter how to cook and use food for more wellbeing. Masako was the youngest, but physically the weakest, her mother paid a lot of attention to her girl’s diet. Nourishing, natural, and rich, using Chinese medicinal cuisine, it helped her to become the strong and inspiring woman that she is today, loved for her curry creations at the Kakura restaurant.

In the next months, I’ll share many new Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!

Kakura Curry Tokyo


Kakura Curry Tokyo

Autumn White Curry with Salmon

By Masako Imura

Serves 3-4

3 tablespoons rapeseed oil
1 tablespoon mustard seeds
8 curry leaves
100g / 3.5 ounces onion, cut into 1 cm / ½ inch cubes
60g / 2 ounces radish, cut into 1 cm / ½ inch cubes
60g / 2 ounces carrot, cut into 1 cm / ½ inch cubes
100g / 3.5 ounces shimeji mushrooms, shredded
3-4 fresh cayenne peppers, finely chopped
1 tablespoon grated ginger
1 tablespoon grated garlic
40g / 1.5 ounces shrimp paste
1 teaspoon salt
1 teaspoon fish sauce
1 teaspoon garam masala
1 teaspoon ground coriander
1 teaspoon ground cinnamon
1 teaspoon ground cardamom
1 teaspoon garlic powder
1 tablespoon coconut flour
1 tablespoon almond flour
5 g sweet radish root
500ml / 2 cups water
800ml / 3 1/3 cups milk
30g / 1 ounce lotus root, cut into 1 cm / ½ inch cubes
60g / 2 ounces yam, cut into 1 cm / ½ inch cubes
90g / 3 ounces pumpkin, cut into 1 cm / ½ inch cubes
10g / 1/3 ounce white cloud ear mushroom, soaked in water
300g / 10 ounces salmon filet, cut into bite size pieces

Boiled white rice, for serving

A handful fresh coriander leaves, for serving

In a large pot, heat the oil, mustard seeds, and curry leaves over medium-high heat for about 15 seconds or until the seeds start popping. Add the onion, radish, carrot, and shimeji mushrooms, turn the heat down to medium and sauté, stirring once in a while, until soft.

Stir in the cayenne peppers, ginger, garlic, shrimp paste, salt, and fish sauce and cook for 1-2 minutes; then add the garam masala, coriander, cinnamon, cardamom, garlic powder, coconut powder, almond powder, and sweet radish root, stir and cook for 1 minute.

Pour in the water and milk, bring to a boil, and cook, uncovered, for about 20 minutes over medium heat. Add the lotus root, yam, and pumpkin and cook for about 5 minutes or until soft. Gently stir in the white cloud ear mushroom and salmon and cook for 5 minutes or until the salmon is cooked through; season with salt to taste.

Divide the rice and curry between bowls, sprinkle with fresh coriander, and serve immediately.

Kakura Curry Tokyo


Kakura Curry Tokyo

What is your most cherished childhood memory in the kitchen? 

I couldn’t eat carrots, so every day my mum would mash them up so they were easier for me to eat. Every single day without fail. Now I love them.

How old were you when you decided to become a chef?

It was actually quite late, I was 25. Actually, I used to be a cooking instructor, but I was 25 when I wanted to work in a real restaurant as a chef.

What makes Japanese cuisine so special? 

It has to be the culture of using dashi. Western cuisine uses stock but in Japan we use kelp and bonito and have the custom of using dashi instead. Staple Japanese food will almost always harness dashi, giving them a subtle undertone of flavour. I would say that’s what makes Japanese cuisine special.

What kind of dashi do you use in your restaurant?

I use dashi made from kelp and dried shiitake mushrooms.

Which role does curry play in Japanese cooking?

I would say it’s similar to Japanese miso soup, each family will have their own curry. Mum’s curry will always taste like mum’s curry. We’ve always had miso soup, but lots of Japanese people say their favourite curry is their mum’s curry. But each Japanese family will have their own Japanese curry. Normally.

Do you have a close relationship with the suppliers of your restaurant?

There are suppliers I’m close to and those I’m not so close to, but I buy products from them because I trust them, because they’re people I know.

Are organic and local products important to you?  

Very, very important!

Is there a rising interest in Japan for organic food?

It’s incredibly popular.

Do you think that the people – over the last few years – became more critical with their food?

I’ve found that lately more and more people are concerned about their health, and so I’ve been getting a lot more customers who express interest in organic and chemical free food, as well as cuisine that incorporates Chinese medicine.

What fascinates you about Chinese medicine? 

The more I learn about Chinese medicine the more it makes sense, so I study more and more. Of course, each person is different so I have to learn what that means. There are things that will work for someone but not for others, so I diagnose each individual and carefully select the Chinese medicine that works best for them. I love it that, what each person has to eat, is always going to be different.

Where did you learn about Chinese medicine?    

I studied at the Japanese branch of the Beijing University of Chinese Medicine.

What made you so interested in Chinese medicine?

I’d have to say it was when I was young, my mum used natural things. She actually used natural Chinese medicine more than conventional medicine. Well, we went to the doctors when we were sick, but if we had to take medicine, had to put something in our bodies, we took Chinese medicine. Yeah, that was it. Ever since I was really small, we went to a Western hospital for treatments, but if we had to take anything she always used these really old, traditional Chinese medicines because she thought they were safer. That’s how I was brought up. Then I learned a little about macrobiotics and all sorts of other things. But it wasn’t because I thought “people have to eat these”, it was because each person’s biological makeup is different. And so, I started to make food using Chinese medicine for individuals to match their individual makeup. I slowly realized that I didn’t just have an interest in this, that this was real cooking. There are foods that can be good for certain people but not good for others. There are all kinds of medicinal diets that are good, but finding the right ones for each person can be a challenge.

What’s the clients’ feedback? Do the people come because they want healthy food? Or do they just come because they find it’s delicious?

I think they come because it’s delicious and healthy. Because they want to be healthy in a delicious way.

What’s your association with the cherry blossom season?

It’s the season students start the new school year so it’s seen as the season of new beginnings. It makes me feel really optimistic. This area here called Nakameguro is famous for a lot of cherry blossoms, it’s also called a town of cherry blossoms.

Can you use the blossoms for your cooking?

Yes, I use them a lot. I put them into the rice, ice cream, and pudding. The ingredients I use will vary depending on the season, but they’re all good for you.

Thank you very much, Masako Imura!

Kakura Curry Tokyo


Kakura Curry Tokyo


Kakura Curry Tokyo


Kakura Curry Tokyo


Kakura Curry Tokyo


Kakura Curry Tokyo


Kakura Curry Tokyo

Meet In Your Kitchen | Jessica Koslow’s Sqirl in LA & the Magic of Sorrel Pesto Rice

Jessica Koslow

It’s captivating to watch a craftswoman concentrating on her material, a carpenter choosing the right piece of wood, a tailor feeling the fabrics, or a chef taking about a new recipe and picking the right ingredients. Jessica Koslow is a craftswoman, but she’s equally an artist gifted with a huge sense for freedom and creativity and this shines through every single one of her creations. She’s also a scientist who critically re-thinks all the single components of a dish until the final result is complete, until the textures and flavors feel aligned, until it looks deliciously tempting. This woman is so much, which makes her one of the leading figures of a new powerful movement of female chefs in California, but also in the rest of the world.

Sqirl is located just around the corner from Vermont Avenue that leads straight to Griffith Park, the restaurant is almost unspectacular, pleasantly unpretentious and casual, but the dishes that come out of the kitchen can easily compete with Michelin starred restaurants. The open kitchen works smoothly, peacefully, every chef seems to deeply enjoy the part they have in the Sqirl universe, it’s a bit like friends cooking, just more precise. Like the Sorrel Pesto Rice, inspired by Pierre Troisgros, the father of the nouvelle cuisine movement, that blew my mind: Kokuho rose brown rice, sorrel pesto, preserved meyer lemon, lacto-fermented hot sauce, watermelon radish, French sheep feta, and a perfectly poached egg spreading its shiny liquid yolk all over this vibrant composition. And the Sqirl Chicken Salad with Marin Sun chicken, bok choy, dehydrated citrus and root vegetables, grated carrots, and black garlic vinaigrette balances crunch and tenderness, sweetness and bitterness, it’s a dish that excites and satisfies.

Jessica comes across as very relaxed, she laughs a lot, but when you ask her a question she pauses and takes her time to think, to answer with the same precision you can find in her dishes, in the same way that she designed her restaurant, and how she put her first cookbook together, Everything I Want to Eat: Sqirl and the New California Cooking. There is a vision that only she can see that seems to guide her in the right direction. She used to be a competitive figure skater which explains her discipline and dedication, and when she stopped at 19, she channeled her obsession into something new: food.

From then on it was all about cooking, eating, and tasting. She was fascinated by the moment when you put the first bite into your mouth and you’re overwhelmed. That’s the experience she wants to create at her restaurant and she knows that she only has this first second to reach and convince her guests’ taste buds. She and her team are gifted with outstanding produce, which she honors in her creations and that she receives from farmers who are friends and part of her community. This is the foundation of her work: “Raw produce defines a season, it’s the passing of times and in California, thankfully, it’s such a delicious marker of time. Our produce is an exciting time stamp and a building block from there.” The Sqirl world is about dishes that feel familiar and unfamiliar at the same time, they create comfort and inquisitiveness, it’s about different layers and textures, using the raw natural produce, but also playing with it, fermenting, pickling, or dehydrating it. As exciting as it is to eat this woman’s food, it’s a pure pleasure listing to her words.

Sqirl is a breakfast and lunch spot only, but in 2018 Jessica will open a dinner place for all her begging, hungry fans, called Tel – keep your eyes and ears open!

In the next months, I’ll share many new Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!

Jessica Koslow


Jessica Koslow

Jessica Koslow’s Sorrel Pesto Rice

Serves 6

3 cups (600 g) medium-grain brown rice, preferably Kokuho Rose
Fine sea salt
½ cup plus 2 teaspoons (130 ml) extra-virgin olive oil
1 cup (25 g) lightly packed kale leaves (stems removed)
2 cups (50 g) lightly packed chopped sorrel leaves
3 tablespoons fresh lemon juice
2 tablespoons chopped fresh dill, plus more for serving
1 Preserved Meyer Lemon, flesh removed, peel finely chopped
2-4 small watermelon radishes, very thinly sliced
¼ cup (60 ml) Fermented Jalapeño Hot Sauce
¾ cup (85 g) crumbled sheep’s-milk feta

6 poached eggs
Fleur de sel
Freshly ground black pepper

Boil the rice in plenty of salted water until it’s tender, 30 to 45 minutes. Drain and let cool.
Meanwhile, make the sorrel pesto: In a blender or food processor, combine ½ cup (120 ml) of the oil, kale, sorrel, and 1 tablespoon of the lemon juice. Blend until smooth, stopping and scraping down the sides as needed. Season with salt to taste.

In a large bowl, toss the rice with the dill, preserved lemon peel, 1 table­spoon of the lemon juice, and the pesto. Taste and add a bit more salt, if needed.

In a small bowl, toss the radish with the remaining 1 tablespoon lemon juice, the remaining 2 teaspoons oil, and a pinch of salt. Set aside to marinate for a few minutes, until the radish is pliable and tender.

To serve, divide the rice among six bowls. Spoon a line of hot sauce across the rice. Arrange a little clump of feta on one side and a rosette of radish slices on the other side. Set a poached egg in the mid­dle of each bowl and season it with fleur de sel and black pepper. Gar­nish with a tiny sprig or two of dill.

Jessica Koslow


Jessica Koslow


Watch my interview with Jessica in LA in September 2017:



Thank you, Jessica! 


Jessica Koslow


Jessica Koslow


Jessica Koslow


Jessica Koslow


Jessica Koslow


Jessica Koslow


Jessica Koslow

Meet In Your Kitchen | Urban Farming and a Garden Salad at LA’s Farm Lot 59

Farm Lot 59

A 1-hour drive, leaving the skyline and the buzz of Downtown LA behind, and you’re in Long Beach, still LA county, yet a totally different scene. As we left California Avenue in the south and drove our bulky van down a dusty road for a new Meet In Your Kitchen feature together with Zwilling, the inspiring urban farmer Sasha Kanno welcomed us with a big smile in front of the gate of her green oasis, Farm Lot 59 .

Sasha is a woman with a strong vision and principles, she believes in honest food, available not only for herself, but also for the community that she lives in. She took over the land surrounded by urban industrial buildings in 2010 and turned it into a non-profit organic farm, practicing biodynamics and following the Waldorf School philosophy. The farmer who’s fascinated by rare and heirloom varieties and who gets many of her seeds from a 100-year old seed company in Honolulu, is famous and loved by locals and chefs for her outstanding lettuce and herb mixtures. All year round, she puts an exciting seasonal bouquet together, of arugula, lemony blood sorrel, giant red-leaf mustard lettuce, basil (with a rough surface), huacatay (black mint), cilantro, fennel, tarragon, thyme, chocolate mint, and many more. Her edible flowers, such as pensi, dahlia, dianthus, calendula, lavender chamomile flowers, are a feast for the eye and an explosion of flavors for the palate.

However, as much as she loves to share the produce from her garden with other passionate lovers of natural, healthy fruits and vegetables, Sasha felt that there was more for her to do. She started an educational program of cooking and gardening classes, she wanted to bring the basics back to the table of our children: her tomatoes, beans, eggplants, pumpkins, squash (I learnt that you can even eat its leaves cooked like a vegetable), peppers, snake melon, and artichokes. She wanted them to smell again and listen to the sounds of the woods and fields, and taste pure unprocessed food. She saw city kids who were totally overwhelmed by this experience, being confronted by nature, even stressed some of them. Some of the most common fruits and vegetables had never been in the hands of these children before. It’s an essential experience, if not a right to have access to food in its original form. Sasha takes responsibility to teach them about our fragile ecosystem, so that future generations adjust the way that we deal with ourselves, our food, and our environment.

The doors of Farm Lot 59 are open almost every day and it’s worth visiting this green paradise framed by apple, stone fruit, and guava trees. You can buy the handpicked produce and humanely sourced meats, dairy products, and eggs from friends and other farmers at the farm’s market stand at the street, the Farmstand 59. And then you go home and prepare the beautiful salad that Sasha made for us in her outdoor farm kitchen: a colorful tomato salad with the farmer’s delicious basil vinaigrette featuring the pure taste and beauty of this sweet fruit and fragrant herb!

In the next months, I’ll share many new Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!

Farm Lot 59


Farm Lot 59

Sasha Kanno’s Tomato Salad with Basil Vinaigrette

Serves 4

For the dressing

1 cup (240ml) olive oil
2 tablespoons red wine vinegar
1 red onion, roughly chopped
2 cups fresh Tuscan basil
1 clove garlic
½ teaspoon haberno salt (haberno peppers mixed with sea salt)

For the salad

8-12 green, red and yellow ripe tomatoes (of various sizes), sliced
2 large handfuls mixed young lettuce greens
1 small handful edible flower petals

For the dressing, purée the ingredients in a blender until smooth and season to taste with salt. Add more oil if the dressing is too thick.

Spread the lettuce greens and tomatoes in a large bowl, sprinkle with the dressing and flower petals and serve immediately.

Farm Lot 59


Farm Lot 59


Watch my interview with Alana in LA in September 2017:



Thank you, Sasha!


Farm Lot 59


Farm Lot 59


Farm Lot 59


Farm Lot 59


Farm Lot 59


Farm Lot 59




Farm Lot 59


Farm Lot 59


Farm Lot 59

Meet In Your Kitchen | Heather and Emily celebrate LA’s vegetables at Botanica


One of the kitchens that I visited on my trip to LA – the first stop of my new adventure together with Zwilling – was at Botanica, a stunningly beautiful restaurant founded by the wonderful Heather Sperling and Emily Fiffer. Both women had been working in the food industry as editors on the East coast for more than a decade, but they were hungry for more. They chose LA to bring a project to life, giving it all their love, passion, and honest determination. An old run-down liquor store in Silverlake looked less than promising when they first saw it, but Heather and Emily knew from the start that this would be the right place to give their vision a home. They gutted it and after a year of sweat and work you can’t even imagine how this gorgeous bright and airy space looked before the renovations. A tall wall touched up in a soft Tuscan pink holds the old wooden beams above the restaurant’s rustic wooden tables and the little market where you can buy the products and produce used in Botanica‘s kitchen.

The two ladies also started an online magazine, a collection of the recipes used at their restaurant to complete their customers hungry needs: you can eat a dish at Botanica, fall in love with it so much that you want to cook it at home, buy the ingredients right away, grab the recipe from the magazine, and go straight to your own kitchen and cook it again.

Sitting at this restaurant feels a bit like being in Heather and Emily’s home and this was an important aspect for them when they first started thinking about their restaurant baby. The design, the menu they put together, the way they work together with their employees, this all shows a philosophy of working and living together in a community. They have strong connections with the other restaurants in their neighborhood, many of which are also run by women, and together they put the spotlight back onto LA’s culinary scene (like “Kismet” that I wrote about last week and Jessica Koslow’s “Sqirl”, which will be featured here on the blog in 2 weeks). They not only share the same work ethics, but also their farmers and suppliers.

And they all have one more thing in common, all these restaurants celebrate vegetables. Heather and Emily manage to turn a potato, cauliflower, squash, or carrot into a vibrant feast. They shift the traditional focus from meat and seafood centric dishes to roots, cabbages, and legumes. Botanica is not a vegetarian restaurant, but ribs, steaks, or fillets aren’t the star of the meal anymore, they can be a part of a greater composition, add flavor, be a luxurious treat of outstanding quality, but they aren’t essential anymore. And the two women’s recipes are so fantastic that you won’t even miss it, you just indulge in a dish like their seared vegetables with romesco (recipe below), which is so rich, balanced, and exciting that you don’t ever think of anything but tasty vegetables. And apart from this more than satisfying pleasure for the taste buds, you can be sure that you just enjoyed food that is good for your body, locally sourced in a strong community that works with and not against nature and our environment.

In the next months, I’ll share many new Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey, for joining me on these adventures and helping me take pictures!




Heather Sperling and Emily Fiffer’s Seared Vegetables with Romesco

Serves 4

For the romesco

4 red bell peppers
1 jalapeño, seeds removed
2 medium cloves garlic
¼ cup (60ml) olive oil
1 tablespoon sherry vinegar
1 small lemon, zest and juice
2 teaspoons Spanish smoked paprika
1 cup (140g) toasted almonds
1 large handful fresh cilantro leaves (about ¼ cup chopped)
Sea salt

For the vegetables

20 tiny potatoes (preferably purple), boiled in salted water until just tender, drained and cooled
Olive oil
Sea salt
Black pepper
Spanish smoked paprika
Broccolini, summer squash, romanesco, Brussels sprouts or cauliflower (or a mix)
3 leeks, white and light green part only, cut in half lengthwise

For the topping

About ½ lemon, zest and juice
1 small handful fresh cilantro flowers (or cilantro leaves)

Preheat the oven to 450°F (230°C).

To make the romesco: Roast the bell peppers until blistered and fully soft. Transfer to a large bowl and let them cool for a few minutes. Remove and discard the seeds and stems, collect the thick juices that run off the peppers. Peel the skin and set aside.

In a food processor, combine the roasted peppers and their skin, the jalapeño, garlic, olive oil, vinegar, lemon zest and juice, smoked paprika, almonds, cilantro, and a splash of the liquid from the peppers. Blend until fully incorporated, but not fully uniform; some texture is ideal here. Add more sherry vinegar, salt, olive oil, and cilantro to taste.

For the vegetables: Lightly crush each potato with the side of a knife. Heat a splash of olive oil in a pan over medium heat and sauté the potatoes on one side until just starting to crisp, then flip and crisp up the other side. Remove from oil and season well with salt, pepper, and a sprinkle of smoked paprika.

While the potatoes are crisping, prepare the remaining vegetables: Cut the vegetables into bite size pieces (except the leeks) and toss with olive oil, salt and pepper, then grill or sear until al dente, with nice char in spots. In a large pan, cook the leeks, cut-side down, until they get a touch of caramelized char, then flip and cook for a few minutes on the other side, until soft through. Cut in two-inch lengths, season, and set aside.

Mound the romesco in the center of a large plate and arrange the potatoes, leeks and vegetables in a ring around the purée. Garnish with a good drizzle of olive oil, a squeeze of lemon juice, lemon zest, a sprinkle of salt, and the cilantro flowers and serve immediately.





Watch my interview with Heather and Emily in LA in September 2017:

“I think that for many women in the industry they are very aware that this is a moment in time when they can be actively involved in changing the culture of the restaurant world.”



Thank you, Heather and Emily!













Meet In Your Kitchen | Kismet LA’s Persian Cucumbers, Melon & Rosewater Labneh


White brushed walls, pale wood, and strong geometric lines turn Kismet into a minimalist spot of casual elegance right on LA’s sunny Hollywood Boulevard. Sitting on the wooden bench at the wide window, the fleshy leaves of a tall banyan tree playing with the light, I felt immediately captured by the restaurant’s laid-back vibe and exciting Middle Eastern and Mediterranean-style menu.

Sarah Hymanson and her partner Sara Kramer created a beautiful place to enjoy breakfast, lunch, or dinner with a group of friends – following their philosophy that food tastes best when you share it. Kismet is a neighborhood hub where you can fill your table with plates full of colorful vegetable focused delicacies and indulge in the pleasures of wonderful treats such as Little Gem Lettuce with Plums, Sprouted Lentils and Tarragon, Freekeh Polenta with Lamb, Green Chili, Greens and Poached Egg, or the wonderful Persian Cucumbers with Melon, Rosewater Labneh and Parsley Seed Za’atar – this recipe is a feast for the taste buds thankfully shared with us by the two chefs. You just dig in and feel happy, inspired by new flavor combinations focusing on taste and freshness. Or celebrate some precious time just for yourself and a book, have a coffee, and nibble on a Scone with Lemon Cream or Brioche Toast with Date Butter.

“LA is an exciting place to be right now, there’s a lot of young creative energy”, Sarah says. She doesn’t hide that she loves the East coast, she’s from Chicago and worked in New York for years, moving west wasn’t an obvious step for her. In 2015, she met NY native Sara Kramer at Glasserie in New York, Kramer was the opening chef at the acclaimed restaurant and won Eater’s NYC Chef of the Year award for her celebrated way of cooking. Yet the two strong willed chefs and highly creative minds who developed the vision of opening their own place, had to find out that it wasn’t in the East but West, in California, where their first “baby” would open its doors. An organic falafel shop at the lively Grand Central Market in Downtown LA called Madcapra was their testing ground. It became a huge success and so Kismet came next.

Rooted in California through the produce that the Kismet chefs get from their beloved farmers and friends who are such an important part of their community of chefs – “their produce is what makes our food” – yet their style of cooking is very much based on their experiences in the kitchen and their upbringing. Thanks to the similar climate, they can use a lot of fruits and vegetables that are prominent in Middle Eastern cooking, such as pomegranate, dates, olives, and fresh herbs. This is the kind of food that both of them loved all their life, what they grew up with – Sara’s mother is Israeli – it’s the food that fascinates both of them and constantly feeds their inspiration.

LA has always offered a great platform and an excitable open-minded audience to female chefs, like Nancy Silverton, Suzanne Goin, Marie Sue Milliken, and Susan Feniger to name just a few. There’s a history of inspiring women in this city and also in California in general who try alternative ways of producing food, cooking, but also working together. Over the past few years, there have been changes in restaurants all over the US that touch the roots of this industry. Work ethics change, the tone in the kitchen that was very male for decades, changes. “The women today try to challenge these norms by treating people as people. It’s not an easy process, but it’s a responsibility to the industry and the people working in this industry.” Sarah and her partner introduced a 20% service charge on top to improve payments and also even out the gap between front and back of house at their restaurant. It’s not easy, but it’s an important part of the place that they want to create, where it’s about good food, but also about a healthy community, in and outside Kismet.

In the next months, I’ll share many new Meet In Your Kitchen features with you that took me to California, Italy, France, and Japan. Thanks to Zwilling for sponsoring these features for our culinary trip around the world! Thank you, my man James Hickey,  for joining me on these adventures and helping me take pictures!




Persian Cucumbers with Melon, Rosewater Labneh and Parsley Seed Za’atar

By Kimset / Sarah Hymanson and Sara Kramer

Serves 6

For the Za’atar

2 tablespoons untoasted sesame seed, ground
1 tablespoon whole toasted sesame seeds
¾ cup (about 12g) dried rose petals, broken up
1 ½ teaspoons sumac
1 teaspoon parsley seeds, ground
¼ teaspoon salt

For the rosewater labneh

2 cups (470g) labneh
1 teaspoon salt
Zest of 2 lemons
2 cloves garlic, grated on a Microplane
2 teaspoons honey
¼-1 tablespoon rose water, to taste
Black pepper, finely ground, to taste

For the salad

9-12 Persian cucumbers, rinsed, shaved lengthwise on a mandoline
1 cup (about 160g) melon, cut into oblique pieces
Juice of 2 lemons
Olive oil
Salt, to taste
Fresh chervil, leaves only

For the Za’atar, in a small bowl, combine the untoasted and toasted sesame seeds, rose petals, sumac, parsley seeds, and salt. You can keep the Za’atar in an airtight container for up to 1 week.

For the labneh, in a large bowl, combine the labneh, salt, lemon zest, garlic, honey, and ¼ tablespoon of the rose water and season to taste with pepper and additional rosewater. You can prepare the rose water labneh in advance and keep it in the fridge for 1 day.

For the salad, mix together the cucumbers, melon, lemon juice, olive oil, and a pinch of salt. Toss to coat and set aside.

Divide the rose water labneh between bowls, arrange the cucumbers and melon on top, and sprinkle each portion with about 1 teaspoon of the Za’atar and a little chervil. Serve immediately.





Watch my interview with Sarah in LA in September 2017:



Thank you, Sarah!











Limoncello Panna Cotta

Limoncello Panna Cotta

Some years have the pace and mood of a little stream in the woods, burbling along quietly, without anyone really taking any notice of it. And then there are years that are more like a hungry wave, rolling like thunder and hitting the shore with a crash, ready to pull you off your feet and make you tumble in the most unexpected moments. 2017 had quite a few of these moments, whirling and twirling, they shook the world politically, socially, and environmentally, and also my own world on so many levels. It’s exhausting when the ups and downs wear out the mind and squeeze it like a sponge, but it’s also a challenge that forces us to question and grow in our own existence and that’s its gift. I believe that our human mind needs to leave the known path once in a while, our comfort zone, that can easily become too comfortable and that makes us lazy. The irritating state of mess and confusion can be a great starting point to be brave and dive into the unknown, as much as I hate these moments as it’s scary, I’m thankful, afterwards, when they force me to unfold the old, familiar pleats.

Just over 12 months ago, the Eat In My Kitchen book was sent out into the world and little did I know how much it would change my life and the way it used to be. In April 2017, Andrew Zimmern hung the medal for the  James Beard Award for Best Cookbook in the General Cooking category around my neck, the state of bursting happiness, surprise, and thankfulness that I felt on that magical night in New York lasts until today. The world also revealed some of its culinary tricks and secrets to me as I travelled in America, Asia, and Europe during autumn. I was on the road for a new project and, for once, I let other people cook for me. I was introduced to the wonders of food in some parts of the world where I had never been before. It was pure bliss to experience new tastes and smells, to listen to unknown languages and learn about traditions and rituals that grew over centuries. And to see so many inspiring women in their kitchens, wherever I was, women who strongly believe in a gastronomic concept of respect and togetherness, women who create praised and highly celebrated restaurants, that made me happy and confident that the future will bring more and more of these fantastic female chefs into the spotlight.

In 2017, we all lost and gained, we gave and took, and as long as the exchange feels balanced, it was a good year. Before I pull the plug and go offline for a week, finally after 4 years of constant buzzing, I have one more thing to give to you: the recipe for this joy-bringing limoncello panna cotta. Now you have a sweet recipe at hand, for the moments when life gives you lemons.

Enjoy food, wine, and especially time with the ones you love, have a happy Christmas and a joyful start to an exciting 2018!

Meike xxx

Limoncello Panna Cotta


Limoncello Panna Cotta

Limoncello Panna Cotta

Serves 2 to 4

gelatin sheets 2 1/2 (7 x 11-cm / 3 x 4-inch)
heavy cream 240 ml / 1 cup
whole milk 120 ml / 1/2 cup
Limoncello 60ml / 1/4 cup
lemon peel 2 long strips
granulated sugar 2 tablespoons
fine sea salt 1/8 teaspoon
lemon slices, very thinly cut for decoration (optional)
fresh mint leaves for decoration (optional)

Soak the gelatin sheets in cold water for about 5 minutes.

In a small saucepan, bring the cream, milk, Limoncell0, lemon peel, sugar, and salt to the boil. As soon as the mixture is bubbling, take the pan off the heat. Squeeze the excess water from the soaked gelatin sheets, crumble into the warm cream mixture, and whisk thoroughly. Let the mixture cool in the pan, whisking occasionally.

Once the cream mixture is at room temperature—it will still be liquid—divide it between 4 120-ml /4-ounce ramekins. Cover them with plastic wrap and refrigerate for 1 hour. Transfer the ramekins to the freezer and chill for about 35-45 minutes or until set but not frozen. Alternatively, leave the ramekins in the refrigerator for about 3 hours or overnight.

Decorate the panna cotta with lemon slices and mint just before serving.

Limoncello Panna Cotta


Limoncello Panna Cotta


Limoncello Panna Cotta


Limoncello Panna Cotta


Limoncello Panna Cotta


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